Showing posts with label Biopic. Show all posts
Showing posts with label Biopic. Show all posts

Friday, July 21, 2023

Oppenheimer might end up being the best movie of my lifetime - Christopher Nolan - 2023


★★★★★-Barbenheimer is fucking here! Initial thoughts after seeing Oppenheimer as early as possible. An easy five star movie. Nolan has gone full nuclear. Couple of reviews had built it up to something between The Social Network and Citizen Kane. It's better than both. We are talking earthshaking cinema. Everyone walked out of the theater silent, mesmerized, and in awe. 

This is a man that knows his place in history. With his expression and gaunt, hollow face, he looks like a man that's cursed. 

Cillian Murphy as Oppie is incredible. No doubt he'll be up for all the awards. Emily Blunt, Matt Damon, and Robert Downey Jr. are all great. Of them, I'm thinking Damon will probably see some recognition at awards season. Florence Pugh is maybe a little underutilized, but is stellar every second she is on-screen. Figure she might see some nominations as well. Also have solid work from Kenneth Branagh, Josh Hartnett, and Rami Malek, among others. Lastly, Casey Affleck has a small but pivotal part. Thought he was still persona non grata. Seeing him breifly took me out of it, but his character is an unbelievable asshole, so that fits. 

Seeing it in IMAX 70mm is an experience. I even found where he said where to sit, “right near the front, middle of the third row,” and sat there. Unreal. Believe the hype.

Two minor complaints. 1.) I thought the movie was a little too long. Feel like it maybe could have trimmed a bit off, and been a little tighter. 2.) Was expecting it to be way trippier. Wish Nolan would have leaned into the abstract maybe a little bit more. But I still loved it. Heard people asking if they really detonated an atomic bomb for the film, which is insane, but that is how good it look. 

Favorite scene is after the bomb was dropped on Hiroshima. Oppenheimer addresses the people on the base, telling them what has happened. Everyone, including him, is completely shell-shocked. Nolan does an incredible job of replicating that feeling on screen. Music and sound are perfectly utilized here (and throughout) as well. 

Stellar film. Having seen it a few times now, I truly believe this overtakes There Will Be Blood as the greatest film released in my lifetime. For me, probably ever. A must-watch. 

Monday, October 19, 2020

Rocketman is the greatest movie of all time


For as long as I can remember, I've hated myself. Believed I'd never be loved.
This movie makes Bohemian Rhapsody look like dogshit. Man, that movie didn't age well. This, on the other hand, is tits. 

Rotten Tomato Consensus: It's going to be a long, long time before a rock biopic manages to capture the highs and lows of an artist's life like Rocketman.

Gist is that we get a musically telling of Elton John's life, from childhood through sobriety. Hell of a picture. It's almost a rock opera but there is a decent amount of dialogue, so not technically. Times like a music video, times like a concert, times like a great drama. This has it all. 

Taron Egerton, from the Kingsman movies, is fucking Elton John. That shit is incredible. Does the singing and does a phenomenal job. It's pretty crazy. So the MVP of this movie. Really, an incredible performance.  Thinking of buying some of his stock, if you know what I mean. 

His buddy Bernie Taupin who wrote most of Elton's hits is played by Jamie Bell. A warm, heartfelt performance. Bryce Dallas Howard, Ron Howard's daughter from various M. Night Shyamalan movies is Elton's mom. Richard Madden from Game of Throne, he was Robb Stark, plays a major prick, one John Reid, who managed Elton and was his lover for a while. Was portrayed as abusive and just an all round shithead. He was also portrayed in the Bohemian Rhapsody biopic somewhat more favorably by Aidan Gillen (Littlefinger on Game of Thrones) which is a trip. Directed by one Dexter Fletcher, whom I only know from his role in Lock, Stock and Two Smoking Barrels. He's the sidekick in that flick, Soap. 

Love a musical. Love this movie. See a lot of Elton John music in my near future, that's for sure. 

Thursday, November 29, 2018

Bohemian Rhapsody is the great movie of all time


Bohemian Rhapsody. Is this real life? Or just fantasy? Surprised that there is a lot of backlash with this flick. Sort of polarizing to some extent partly because they don't really go into his later years, specifically the relationship he had with his partner, Jim Hutton. Basically the movie begins and ends with the Live Aid Concert. Shows at the beginning this is peak Queen and the movie is how they got there. Personally, good call to bookend it with Live Aid Concert. That's storytelling and shit. Guess a bunch of people were pissed that they didn't go into the relationship with Jim Hutton more. I'm fine with the way it was. A lot of that relationship was implied. That they were happy and ended as such. This movie was more about the his time with Queen and not so much about what came before or after. Again, I'm good with that. Bitches be bitching. This movie is amazing. Shut your mouths. This is the greatest movie of all time.

Rotten Tomatoes Consensus: Bohemian Rhapsody hits a handful of high notes, but as an in-depth look at a beloved band, it offers more of a medley than a true greatest hits collection.

Pros: Rami Malek's performance is pretty fucking sick. I like that he lip syncs. Some don't. Those people are fools. Tells a good story. Flows well. Is long as shit but doesn't really feel like it. Casting is pretty much spot on. Brian May's portrayal probably most. I mean Malek probably looks the least like the person he is playing which is insane. Movie has it all. And you can't fuck with that soundtrack.

Cons: Is a bit too long. The Live Aid Concert is slightly anticlimactic because it doesn't get any better than watching the real thing.

Gist of the movie is the biography of Queen mostly with a focus on lead singer Freddie Mercury. Follows a somewhat fictional account of his life just before joining the band, Queen coming together and finding gradual success before making it big, him nearly marrying a chick and then coming to terms with his sexuality, him getting a big head and leaving the band (which actually never happened), him firing his manager, and finally getting back with the band, getting with partner Jim Hutton (not remotely how it really happened but that's okay), and performing at Live Aid. Disclaimer,: anyone who dislikes this movie doesn't know what the fuck he or she is talking about.

Directed by Bryan Singer of X-Men movies. It stars Malek in what has to be an Oscar nod as Freddie Mercury. It stars Rami Malek as Mercury, with Lucy Boynton as Mercury's fiance Mary Austin, Aidan Gillen (Littlefinger on Game of Thrones) as original band manager John Reid, Ben Hardy as drummer Roger Taylor, Tom Hollander as lawyer Jim Beach whom Mercury dubbed Miami, Gwilym Lee as guitarist Brian May, Allen Leech as the Judas manager who outed Mercury as gay and talked hella shit Paul Prenter, Joe Mazzello as bassist John Deacon, and Mike Myers as some fictional asshole record executive. Beach (one of the producers of the film), May, and Rogers (both creative and music consultants for the film) as were heavily involved in the project which is nice. I am not sure why Myers is in the film other than that he epically used the song in Wayne's World. His Scottish accent is the exact one he always uses, the one for his dad in So I Married an Ax Murderer and Fat Bastard in Austin Powers, which is an interesting call. Despite that shit, the film uses him as a solid foil.

Best scene of the movie is when Freddy and the band are in the office of Ray Foster, Mike Myers's character, when Mercury sells everyone on A Night at the Opera. The little speech he gives is inspire as shit, talking about opera and poetry and how it is is going to be the greatest album ever and will have something for everyone and how it's going to be legend. Foster is all, stick to the formula. Mercury has won everyone over though. "Fortune favors the bold," says their manager. Their lawyer, Jim Beach, is asked to weigh in. Mercury cuts everyone off, saying he is a bad ass and needs a bad ass name, "I dub thee, 'Miami'." "What do you think, Jim?" "Miami," Beach corrects. Everyone is stoked. The band said that that was him. Possessed by Mercury. Foster lost the room and off Queen go to make their greatest achievement.

Favorite line of the flick comes after Taylor tells Mercury, "You're a legend, Fred." Mercury responds "We're all legends." After a few moments he adds, "But you're right, I am a legend." That he was. Classic Freddie Mercury. Also, love that he was into cats. Makes him a legend in my eyes. Like that he talks to them on the phone and such. Feel the same way about my little Richard Parker. Such a good cat buddy. Love a good cat owner and Mercury was very sweet to kitties. Pet the next one you see for Freddie Mercury.

Anyway, I will say the Live Aid Concert is sort of a let down. It looks a little fake and the way they shot it, with focused shots on Mercury that didn't happen in the real footage of the event, is a little distracting. It's sort of like, "oh, I don't remember that closeup" or whatever. It happens just enough for it to be off. I'm buddies with this chick who is fucking obsessed with the real Live Aid video. Like I showed her the college commencement speech from my graduation by David Foster Wallace which is still just so inspiring and such and she showed me that video, equally inspiring to her. She did not like the way it was done in the movie. I get it. But it was still not terrible and in no way ruined the movie, which was fucking great. Also, Queen never actually broke up like they do in the movie with Freddie basically being an asshole. In reality, the band was just taking a break after touring together for a decade. This was in roughly 1983. But they were working on The Works which came out in 1984. So not so much of a breakup. Need some drama I suppose.

MVP is obviously Malek who kills it. Like other successful biopics--I, Tonya, Man on the Moon, Lincoln, Capote, The Social Network, so forth--dude becomes his subject. And more than the look, Malek really nails the attitude. He does a good job of being magnetic although I imagine it's not too hard when you are the star and all and have talent and what not. As he told Hollywood Insider:
"what I really knew I needed was to capture his spontaneity. The man's not choreographed. Every time he steps out onto a stage, no one knows what he's going to do, and that's what I knew I needed to tether myself to. In order to do that, I realized, I can't work with a choreographer, I need someone to help me with movement, someone to help me discover the impetus for why he does what he does. Why every flick of the wrist occurs with him in such an elegant, sometimes dainty and sometimes aggressive way, depending on his mood. I just had to find his humanity — what his conflicts were — and discover all the sides of him, because I knew there was more to Freddie Mercury than a man who holds an audience in the palm of his hand. But I had to get that down as well."
He totes does while doing his thing out there on stage. I mean, couldn't imagine what this would have been like if Sasha Baron Cohen hadn't been let go. He looks like Mercury and all, moe so than Malek for sure, but I couldn't exactly see him nail the Queen front man. And thank fuck Malek knew enough not to fucking sing. One of the previews they showed before the movie was for Rocketman, the Elton John movie. That dude, we see, sings. I mean, he sounds fine but he ain't fucking Elton John. And I'm sure Malek is no Freddie Mercury. Just lip sync it and look dope doing it, like Malek does here. This should be required viewing for anyone making a musical biopic and this should be the main thing that aspiring directors take away. Great fucking flick.

Sunday, March 4, 2018

I, Tonya is the greatest movie of all time


Academy Awards are tonight. And the Oscar goes to... Damn. That Margot Robbie is really something. Really, really, really something. I have seen her in three movies. In all of them (Wolf of Wall Street, Suicide Squad, and I, Tonya) she was phenomenal. This was her best though. She is the new Meryl Streep, this one, and this solidified it, for me anyhow. On her performance alone this would have been of the greatest movie of all time variety, but seriously, so much more that fucking rocked. Kenyon grad Allison Janney was fucking great. As was the guy who played douchebag Jeff Gillooly. It was nice reliving this little chunk of insanity through this medium and fucking believe the world is a better goddamned place because of this movie. Though it does give Tonya too much benefit of doubt. Like her mom would say, “fuck her.” Also, Nancy still seems like a bitch, which will never not be unfortunate (a lot of negatives there, I mean it always be shitty) since she was the victim and all.

Alison Janney. Known for playing great mothers.

Pros: Margot Robbie. OMG is she good. Ditto Allison Janney. Pretty much a flawlessly acted film. The way the iceskating is shot is super cool and impress. You are on the ice with her basically and Robbie looks like an Olympic figure skater (for the most part). Pretty funny considering it's about a real life shit show.

Could you imagine if this chick played you in a biopic?
Cons: Sort of amounts to a Tonya Harding apology (in the classical sense) film. Nobody is really on board with that. Music is a little much and too on the nose (do we really need to hear “Devil Woman” when Tonya's mom is being terrible?).

Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the activity is thrown into doubt when her ex-husband's people do the thing. You know the story. This is absolutely the Tonya version, hence I, Tonya, which has some basis in fact but is super kind when it comes to its subject matter. So if you fucking hate Tonya, which I imagine we all still do, keep that in mind.

She had me at "suck my dick"
This is not the movie for you if you are squeemish when it comes to domestic violence. It is brutal and fucking sucks. We start out seeing little Tonya acting exactly like you'd expect, her mom (played by Janney) drinking like a chimney, chain-smoking, so forth, is super abusive. Doesn't like it when Tonya doesn't land tricks like many a Olympic parent, I'm sure. Beats her for all kinds of stuff. Then she meets Jeff played by the guy who is Bucky in the MCU movies and was the asshole 80s guy in Hot Tub Time Machine. He beats her for the rest of the movie and even almost shoots her once. He is fucking terrible. They all are. But it's great.

Probably the thing I was most impressed with aside from the performances, again, fucking sick, was how they shot the skating. Not only does it seem that Robbie is an Olympic level skater (which she obviously is not) through effects and what have you but you end up on the ice with her as she rushes through her routines. It's a pretty dope effect. 

Favorite scene though was when she got screwed at an event early in her career and the judge told her it was because she looked like a bull-dyke and Tonya told her to "suck my dick." Classic and classy. My kind of gall, that one. 

Overall, it was pretty cool to go back in time and relive all that shit with an insider's perspective. Up to that point it was some of the craziest shit ever. I mean it is still nuts. Reality train wrecks were already carving their way through the zeitgeist in the early 1990s (before Tonya there was Buttafuoco, John Wayne Bobbitt, the kid getting caned in Singapore, Lyle and Erik, the Gulf War, so forth)   but at the time it seemed like that really escalated it. Then, like we see at the end of the flick, OJ came along, did his thing, and now fucking Trump is the goddamned President. But yeah. Dope movie.