Showing posts with label Jessica Chastain. Show all posts
Showing posts with label Jessica Chastain. Show all posts

Sunday, October 6, 2024

31 Days of Halloween: Ghost Story Night: Gothic del Toro

Crimson Peak - Guillermo del Toro - 2015

 


★★★★-Day 6 of the Nightmare on Film Street 31 Days of Halloween Horror Challenge. Ghost story night. Crimson Peak. Would put this in mid-tier Guillermo del Toro. Still rocks though. Huge fan of his work. 

Gist is aspiring author Edith Cushing marries charming baron Thomas Sharpe, who has some weird shit going on with sister Lucille. She then moves to his remote Gothic mansion and uncovers various dark secrets behind the ghosts that haunt the massive, dilapidated home.

 

Cast is solid with great performances. Stars Mia Wasikowska in the lead as Edith. She has really had some canonical, literary parts in her years. She was Alice in the Tim Burton Alice in Wonderland flicks. Also, the title role for the Jane Eyre a decade back with Michael Fassbender as Rochester, Emma Bovary in a Madame Bovary adaptation, stars next to Robert Pattinson in the bananas film Damsel, and the part of Judy in Judy and Punch, which was also insane. She is pretty great. 

 

Others include the Loki man himself Tom Hiddleston as the baron, the always solid Jessica Chastain in her stabbiest role as sister Lucille who is completely out of her mind, and Charlie Hunnam as Dr. Alan McMichael, the other love interest. Also get Jim Beaver as Edith’s dad (he is Bobby Singer in Supernatural). And it wouldn’t be a Del Toro movie without a little Indiana native Doug Jones, he was the fish man in The Shape of Water as well as the fish man in the Hellboy movies. 

 

Love a gothic period piece. The production of this world is the best part about the movie. Totally giving off Hammer Film vibes in that respect, but with the del Toro style. Chastain steals the show with her subdued yet unhinged performance. Pacing and story could have been fleshed out a little bit, and the end is a little over-the-top. Not a classic like Pan’s Labyrinth, The Shape of Water, or The Devil’s Backbone, but it’s close. 

Sunday, June 25, 2023

Interstellar - Christopher Nolan - 2014


★★★★★-More Nolan. Hard rain today so I'm knocking out three of his flicks. Feels a little weird watching this one right after submarine disaster. But at least these adventurers have a noble goal in mind. This is an intensely captivating, stunning, thought-provoking film. I'll fight anyone who says otherwise. 

Gist of the film. It's 2067. Future: dystopian. Humanity is going extinct from a global famine caused by ecocide. Like we are starting to face now, really. 

A team of astronauts embark on a space mission to find a habitable planet for humanity as Earth faces an impending implosion. They traverse through a wormhole near Saturn to jump across the universe where they encounter mind-bending phenomena and race against time to ensure the survival of humanity. Thats the short of it. It also explores themes of love, time dilation, and the exploration of the unknown. 

Something I've thought long and hard about is this: How does one navigate a wormhole? I'd think you just get what you get. Best case scenario. You go in. It doesn't kill you or drive you mad. You get crapped out wherever you get crapped out in the universe. That seems to be the way it works in this flick. 

Anyway, dude loves his daughter. Barely remembers he has a son pretty much, but the son is sort of an asshole. Doesn't really listen to her or care about his opinion though. Goes on an obvious suicide mission, ignoring all the red flags and what not. So, I use the laughing/crying gif a lot for my sad laugh. But this movie is a gut punch. 

Stars Matthew McConaughey, Anne Hathaway (my queen), Bill Irwin, Ellen Burstyn (the mom from The Exorcist), Matt Damon, and Michael Caine. This was the first thing I ever saw Jessica Chastain and Timothée Chalamet in.

At the start of the movie, for a minute, at least, it sounds like the government is actually figuring shit out in this future. But “freedom” and what not. Lot of books are banned. Moon landing was faked. Food is scarce because of the “wastefulness” and greed of the people in the 20th century. 

“This world is a treasure and it has been telling us to leave for a while now. Mankind was born here, it wasn't meant to die here,” McConaughey's character says. I agree with the first part, biology has determined the second part was a lie. 

Anyway, lot of sacrifice. Go to a planet where every hour is seven years. End up spending 23 Earth years. It's Nolan, so you gotta expect a little bit of time fuckery. Grandpa's dead. Kids have grown up. Poor guy left on the ship also experienced the time jump. Poor fucker. Requires a lot of faith for the people left behind. Plan A is to turn it around on Earth. Plan B is to go elsewhere. Decades go by and they are waiting to see if we have a place to go. How we get there is a good question, but you know. 

Speaking of, we aren't leaving this planet. We might get to Mars, but no where livable. Have about as much chance of that as time travel. Shit ain't happening. Once we finally fuck this planet up enough, that's it. Doubt it happens in my lifetime, but we're already seeing the beginning of the end.

Great wrist watch flick. Features the Hamilton Khaki Pilot Day Date and the Khaki Field (Murph). Both are great watches. Hamilton might not be as great as it was 50 years ago (mostly uses the ETA 2824 if you know anything about watches and is now Swiss owned), it is still a solid brand. My next watch will probably be a Hamilton. Maybe one of these. 

For me, this is a better, more accessible version of 2001: A Space Odyssey, which I hated. Ambitious, exceptionally beautiful, insanely complex, this is fucking cinema at its best. How people go to this and don''t fall in love, I have no idea. This film moved me. Nolan, again, is a master filmmaker. 

Wednesday, September 11, 2019

It Chapter Two is the greatest movie of all time


It Chapter Two. Just trying to add some levity to this shit. I’ll go fuck myself. Beep Beep Richie. Great flick. Really fucking loved it. Not quite an instant classic like It Chapter One but it's really fucking good. Also, not scary like the first one, though I jumped out of my seat like four times and there are moments. But super entertaining and really funny. Usually not a good sign but just roll with it and you'll have a good time. The ending, also, is just alright.

And to be fair, when I was pulling into the theater for the first one, the parking lot was more or less empty. Definitely no one walking around or anything. The way I came into the parking lot brought me up to the theater and I turned into a row of cars that faced the exit. When I did this, just sort of floating at me was a red balloon. It was fucking terrifying with no one obviously around and me going to that movie. I quickly parked, never seeing anyone around, and popped out my phone and took a picture as evidence (though by that time the balloon was sort of far away). Shit freaked me out and definitely fucked with me during the film, probably adding to my enjoyment of it.

Rotten Tomato Consensus: It: Chapter Two proves bigger doesn't always mean scarier for horror sequels, but a fine cast and faithful approach to the source material keep this follow-up afloat.

The gist most of us know. Follow up to It Chapter One from 2017. That film follows a bunch of kids (collectively known as the "Losers' Club") who in 1989 set out to a supernatural, murdering clown/demigod who feeds off the fear of children every 27 years in the town of Derry, Maine. This is the same shit, only now, in 2016, it's 27 years later and the kids are all grown up. Based on the dope ass 1986 novel by the Stephen King, this is considered one of his masterpieces.

Directed by one Andy Muschietti, who also directed Chapter One, the film stars Andy Bean who is sort of in the movie plays Stanley Uris, Jessica Chastain as Beverly, Bill Hader as Richie Tozier, James McAvoy as Bill Denbrough, Isaiah Mustafa as Mike Hanlon (which was also the name of my first newspaper editor and most significant influence when it comes to style), James Ransone as Eddie Kaspbrak, and Jay Ryan whom I've never seen before in my life plays Ben Hanscom, are the adult versions of the Losers'. All of these actors (except for I'd say Chastain, McAvoy, and sort of Hader) are spitting images of their younger counterparts. All of the them are also fucking great if some of them are under-utilized (Chastain and McAvoy sort of barely feel in the movie for long stretchs, for example). Bill Skarsgård reprises his role of Pennywise the Dancing Clown. He's still great as well as super creepy. And all the kids also returns to play their parts.

One big complaint is that they included the kids, honestly, who have obviously aged a couple of years, in the film. Other than one of them turning out to be sort of gay, none of the kid stuff really adds anything. Also, all of the violence is extremely off-putting. Don't like stuff happening to animals or kids in movies. Stuff, spoiler, happens to kids. It's hard to watch... But expected.

Hard to not to note some of the solid AF Easter eggs sprinkled throughout the film. A couple, like a high profile cameo, I'll leave to the viewer. A couple others are sort of harder to notice. Like the actor Brandon Crane who played 12-year old Ben Hanscom in the 1990 version of the film showing up in a boardroom of executives Skyping the new Ben who gets a call from Mike to come back to Derry. Then there are things that I am sure if they are Easter eggs or what. Like Peter Bogdanovich playing himself directing a Denbrough movie at the beginning. (Something weird about this that has little to do with the movie is that after I watched this I went to a used book store and went to the Director Biography section and found a book by Bogdanovich, one Who the Hell's In It. It totally felt meant for me. Then I opened it up and saw that it was signed by the author which was fucking awesome.)

Winning the movie was Hader as Richie, as everyone basically agrees, but I thought a lot of that performance was lifted by Ransone as Eddie and their chemistry together. Just like Finn Wolfhard (who played young Richie) and Jack Dylan Grazer (the young Eddie) their comedic timing was impeccable and you really feel like they are homeys razzing each other. There is the stuff they say to each other. Like when Eddie is petrified with fear and Richie hypes him up by asking him who did all of these things that took extraordinary courage like taking a knife to the face, pulling that knife out, and stabbing the guy who stabbed him with it in the face. "Me," says Eddie. And "who married a woman ten times his own body mass?" "Me," sayeth Eddie. On that note, one of the biggest chuckles I got, sort of spoiler, was when Richie talks about boning Eddie's mom and then says that afterward she leaned down and whispered to him "Jabba amu intoe tah parena" or some such shit in his best Jabba du Hutt voice out of nowhere. They both get pretty good lines in reference to murdering bully Henry Bowers (played by one Teach Grant). More spoilers. Eddie, after he stabs Henry but doesn't kill him, tells him "You should cut that fucking mullet. It’s been like 30 years, man," which, yeah. This leads to what is easily my favorite line of the movie. After Richie kills Henry with a tomahawk to the back of the head in old Derry Public, he looks at Mike, whom he has just saved, and says "I guess you could say that was long overdue. Get it? ‘Cause we’re in a library." And then he pukes. Beep Beep Richie.