Showing posts with label Wes Anderson. Show all posts
Showing posts with label Wes Anderson. Show all posts

Saturday, June 24, 2023

Asteroid City - Wes Anderson - 2023


★★★★★-Since The Royal Tenenbaums, I've been all in on Wes Anderson, seeing every film opening weekend. He is one of maybe 10 directors who I'm going to make a spectacle of when they have a movie come out. Have I had a great seeing all of them? Fuck yeah, I have. Asteroid City is no exception, though I am not sure if I really understand it. 

The film is pretty complex in the way that The French Dispatch is complex. Where we get the story of a publication in The French Dispatch while we are also given some of the best stories to come out of that journalism, in this movie we are told about the production of a play, showing that play, and weaving other stories within them. 

This is what you call a metatextual approach, yeah, I went to grad school. First the movie gives us a broadcast of the story behind the play which segues into the first act which follows people as they arrive at a Junior Stargazer convention. Between acts, we are then given behind-the-scenes moments with the actors, director, writer, broadcaster, so forth, who are giving this production a life of its own while offering the audience (real [us viewing the movie] and imagined [the 1955 television viewer]) a glimpse into the creative process. Beyond this, not to give too much away, the film is really, deep down, a lighthearted search for meaning, complete with nuclear testing, alien encounters, and ray guns. And that is just within the play. 

Cast includes most of his usuals and some newcomers to his universe. They include: Adrien Brody, Bryan Cranston, Steve Carell (loved him in this, by the by), Hong Chau (she the front of house manager in The Menu), Margot Robbie, Matt Dillon, Hope Davis ( The Daytrippers, American Splendor), Willem Dafoe, Jeff Goldblum, Rupert Friend (he's one of the stars of the show Homeland), Maya Hawke (nepo baby child of Ethan Hawke and Uma, she was in such flicks as Once Upon a Time in Hollywood, Fear Street Part One: 1994, Do Revenge, she also played the part of  Robin Buckley in Stranger Things), Scarlett Johansson, Jason Schwartzman, Liev Schreiber, Fisher Stevens (he's the white guy playing the Indian guy in Short Circuit, he's also in Succession), Tilda Swinton, Tony Revolori (he was the bellboy, the lead, in The Grand Budapest Hotel), Edward Norton (who looks pretty exactly like William Faulkner in this), Steve Park (he is probably most remembered for being the Asian guy on In Living Color, he was also in Do the Right Thing, Falling Down, Fargo, and The French Dispatch among other things. I suspect this might be a breakout role), and Jeffrey Wright. Also, a bunch of children, Anderson loves him some witty wiz kids. Among them, the main one, this kid Jake Ryan, is the most notable and is probably destined to be in all kinds of Wes Anderson future projects. Also, Sophia Lillis from It, and this Grace Edwards girl who plays ScarJo's daughter. 

I love a meta movie, and I love some Wes Anderson. This one is full of his signatures and feels like the culmination of his work. Not sure if I'll like it more or less with more viewings, but more viewings are definitely required. Didn't crack my top three Anderson movies, (The Fantastic Mr. Fox, The Life Aquatic with Steve Zissou, The Royal Tenenbaums) but right now I'd put it at about four. We'll see if I feel better about it down the road. 

Friday, April 20, 2018

Isle of Dogs is the greatest movie of all time


An island of dogs you say? I'm in. Also Wes Anderson. Fuck yeah. His typical ensemble cast and Brian Cranston. Stop-motion-animation. Japan. How can this not be amazing? But was it amazing... It was. It was the greatest movie of all time.

Some podcasts I listen to were giving this movie shit. Saying stuff like it doesn't make any statement whatsoever, there is no feeling to it, lots of cultural appropriation, and the story is garbage. To all of these people I say chill out. I don't really need a movie to make a goddamn statement in the Trump era. I go to the movies to to think about stuff that is not that. These are good dogs. Good dogs are the greatest, noblest creatures on earth. I love movies about them that don't involve humans losing them. This is a beautiful movie with a strong dog bias. So lay off, cat people. You've got Life of Pi and the internet. 


Pros: That Wes Anderson style and color usage are on point. Cute, sweet dogs everywhere on an island. Does a good job of telling what each character is about without overly explaining shit, which I loathe. It's the only dog movie I can remember that didn't make me tear up. 

Cons: Ludicrous story which occasionally gets lazy but it is fun. 

After a trio of canine diseases threatening to jump species infect most of the dogs in dystopian Megasaki City in Japan, Mayor Kobayashi (voiced by Kunichi Nomura) proposes the extreme action of quarantining all of the pups on the island where the city sends its trash. In a symbolic gesture, Kobayashi deports the family dog, Spots (voiced by Liev Schreiber), to the island first. This leads to his ward, his young, orphaned nephew Atari (voiced by Koyu Rankin), steals a plane and heads to the island in search of his pet/bodyguard. He is assisted in his quest by a ragtag group of pups with their own unique and interesting story. From there, a group of pro-dog advocates are inspired to question the government which ultimately leads to the uncovering of a vast pro-cat governmental conspiracy. It is sort of insane. 

The ensamble cast is super impressive, as Anderson's movies universally are. Voice actors for the main pack of dogs include Bob Balaban who was Russell Dalrymple (the head of NBC) in Seinfeld as King, Cranston as pack leader Chief, Jeff Goldblum as Duke, Bill Murray as Boss, and Edward Norton as beta Rex. Other dogs are voiced by F. Murray Abraham as Jupiter (the one with the brandy barrel), Scarlett Johansson as Nutmeg (the sexualized one), Harvey Keitel as leader of the cannibals Gondo, and Tilda Swinton as Oracle who speaks TV. Some notable humans include Greta Gerwig as the blond girl with the fro, two-time Oscar winner Frances McDormand as Interpreter Nelson, and Yoko Ono as Assistant-Scientist Yoko-ono. 

He should sue
There are some that are weird going on here like in any Wes Anderson movie. Like Mayor Kobayashi straight up murders a dude by tainting his sushi with poisoned wasabi. This was suspected by fringe conspiracy theorizing pro-dog folks, they happen to be correct though, whom it is implied proved that Kobayashi offed the dude. After Kobayashi sort of has his redemptive moment, everyone is fucking cool with him again. He goes to jail because he is a fucking murder (not to mention extreme dog hater), but everyone is like "aw, Kobayashi-san!" Fuck that guy. Another guy that can go fuck himself is that Major-Domo dude who at the end when everyone is back on the dog bandwagon still tries to gas them all. Dude looks straight up like the giant from Twin Peaks, by the by. Just look at those mugs. The only thing in the movie that really annoyed me was the Japanese hacker kid from Tracy's newspaper extracurricular (Tracy is the chick with the fro) who saves the day at least twice in storytelling that is lazy AF. Also, I sort of just realized that Tracy is in high school and she has a crush on/ends up with Atari who is 12. Gross, main. 

Though a lot of those things are ridiculous, this movie still fucking rocks. I totes want to live on dog island and would if my girls got sent there. As a hardcore atheist, this is sort of my secret religion. Getting licks from all the dogs I've loved throughout time for all of eternity. Getting choked up thinking about it. And I'm crying.