The Glass Key: Kicking off "Noir November" with a hard-boiled masterpiece

The Glass Key - Stuart Heisler - 1942 

★★★★★-Starting Noir November off like a rocket with this masterpiece. The second screen adaptation of Dashiell Hammett's novel of the same name, a peak, twisted, hard-boiled tale.

Read the book over the summer. Loved it. Back then, I knew I was going to start off the month with this flick. I’ve probably watched 300 noir/neo-noir in the last five years, minimum. It’s been quite a while since I was this excited about a noir flick. 

Directed by Stuart Heisler. Mostly remembered for this and the 1944 propaganda film The Negro Soldier, a documentary-style recruitment piece aimed at African Americans to get them to enlist in the military during World War II. Also, the Humphrey Bogart film Tokyo Joe, and the 1949 film Tulsa, starring Susan Hayward, for which he was nominated for an Oscar. Found success with another Hayward movie in 1947 for Smash-Up, the Story of a Woman. 

Veronica Lake is the female lead but not the femme fatale. She was never more beautiful. She’s not great but is obviously a star. Stars Alan Ladd as the hardboiled detective. Mostly think of him as Johnny Morrison from The Blue Dahlia and Shane from Shane. Brian Donlevy plays Paul Madvig, the rich, corrupt politician at the center of the murder who can’t control his daughter. William Bendix plays the thug, as is his way. He’s always great. Complete psychopath in this flick. Kicks a photographer in the face as he’s getting taken out of the police station kind of guy. Perfectly cast.

Film thrusts you in the murky waters of political intrigue, corruption, and romance, with a side order of murder. Crooked politician Paul Madvig (played by Donlevy) is a political boss who's decided to swap his shady dealings for a shot at redemption. He's throwing his weight behind the reform candidate for governor, a move that's unpopular with the criminal underworld. He's also got his eye on the governor's daughter, Janet (played by Lake, who's damn cool). Enter Ed Beaumont (Ladd), Madvig's right-hand man and fixer. He's got to navigate this labyrinth of lies and deceit to clear his boss's name. It's a tale as old as time, guy meets dame, falls for dame, gets framed for murder by gangsters. 

Drew me in immediately. Madvig immediately makes his entrance by throwing a guy out of the window into the pool for giving him shit for talking to a candidate from the opposition party. This guy gets it, and doesn’t give a flying fuck. Donlevy sort of stole the show with his performance. 

Film flies by way faster than an hour and 25 minutes. Still manages to hit all the main beats of the novel. That’s what I love about the genre. You get right into it with an economy of engaging plot with dubious characters, snappy dialogue, and brutality. Plus, beautiful cinematography and women that are to die for.  

The Blue Dahlia - George Marshall - 1946

★★★★★- Very pretty ladies in this one with Veronica Lake and Doris Dowling (who plays the awful wife). Coming in hot, this movie. The first 20 minutes are like seven different movies. 

Starts with casual racism, however, I’m not really sure if the guy that gets called a “monkey” is not actually a swarthy white guy. Then we say that the guy who dropped the “slur” had a traumatic brain injury and has a plate in his skull. He also seems to have some PTSD and major memory issues. Turns out to be sort of a gentleman though.

He comes home to a bunch of drunks and his wife making out with some dude. Then they have this exchange after he slaps the guy shooting his wife. 

Ladies and gentlemen, I think you had better leave. My husband would like to be alone with me... He probably wants to beat me up. Perhaps you wouldn’t want me to apologize. “Apologize, darling? But you don’t have to; you’re a hero. A hero can get away with anything.”

I think this sort of thing happens a lot. Soldiers get married young before they go off to war. Come back to find their wives or husbands who they probably don’t know that well with someone else. I had a great aunt that Had some other guy besides her husband’s kid and he was basically just like, “well, get rid of the kid but I guess we will stay together and I’ll just treat you like shit for the rest of our lives.” That was before people got divorced and what have you as is this film. It looks like it’s going to be a wonderful life there, soldier. 

Before he and his wife get everybody out of the house pretty much his buddies call. They said they would whenever they found an apartment. I thought this would be like a month from then or something, but they’ve already got one, moved all their shit in, and everything like 10 minutes after tying one off at the bar/causing minor property damage.

The neighborhood has a house detective, what the fuck is that? Tell him to keep it down and pull the shades down if he’s going to push his wife around. The tone, I thought, was definitely, “don’t fucking touch her.”

This movie is just one thing after another. Find out that they had a child that is now dead. Dude starts grilling his wife about it and she went to one of her parties got wasted and then has a “car smash.” This appears to be fine legally back then. Sort of just frowned upon, killing your child while drunk driving.

Then the real action starts. Great film. Highly recommend. But be ready, this movie is a pretty demanding watch.

The Asphalt Jungle is the greatest movie of all time

The Asphalt Jungle. "One way or another, we all work for our vice." Might be the darkest Hayes Code era flicks I've seen, the movie was released in 1950. It leaves a bad taste in your mouth, even for a John Huston movie, but is an undeniable masterpiece. Not my favorite Huston flick, but damn good. 

Based on the 1949 book of the same name by W. R. Burnett. The gist of the movie is a group of guys pull off a major jewel heist in the Midwest only for things to go to shit when the men start double-crossing each other. 

Though you probably won't recognize many of the actors, the performances are flawless. The film stars Sterling Hayden (his performance is stellar) who is the guy who breaks Michael's jaw in The Godfather, Louis Calhern (also phenomenal) who I only recognize from Duck Soup, the talented Jean Hagen (another breakout performance) who played Lina Lamont in Singin' in the Rain, the guy who played Brooks in The Shawshank Redemption, and, most notably, Marilyn Monroe, in one of her earliest roles. 

A lot of cringe with Marilyn's character. Young and Marilyn Monroe at her peak hot, her creepy uncle has some sexual predatory stuff going on with her. That's pretty unpleasant to watch, for sure. But damn, Monroe makes quite an impact on the screen. 

Doing some half-assed internet research, supposedly Huston's first choice for the role played by Monroe was Lola Albright, who was quite a looker herself. When she wasn't available, Huston brought in Monroe for a screen test. He wasn't sure she was right for the part and dismissed her. However, he changed his mind when he watched her walking out the door. According to one Eddie Muller's intro to the Turner Classic Movies Noir Alley presentation of the film, Huston later said Monroe was "one of the few actresses who could make an entrance by leaving the room." I find this claim dubious but somewhat on brand. 

In his autobiography, also a dubious source, Huston claims he felt protective of her and when it seemed some unnamed studio executive was trying to "set her up for the casting couch," screen-tested her for another role, as to get that far in the process at that studio meant boning this asshole. But he didn't cast her and she disappeared. A year later, now with agent Johnny Hyde, she was back to screen-test for Asphalt Jungle. When she came around, Huston recognized her as the girl he'd saved from the casting couch. "She was Angela to a T. "I later discovered that Johnny Hyde was in love with her," Huston wrote. "Johnny was a very fine, very reliable agent, and we were friends, but Marilyn didn't get the part because of Johnny. She got it because she was damn good." I choose to believe that story over the one where he was kind of a creep.

Huston gets my vote for MVP for more or less discovering Monroe and getting insane performances out of this cast of no-names. Plus he maybe saved Monroe from having to bone some skeezy dude. 

The Big Sleep (1946) is the greatest movie of all time

The Big Sleep. 1946 version. Great. Supposedly... But I thought it was sort of run of the mill. Just your typical beat-for-beat procedural detective flick. It is beautifully shot, interesting, and the ending is great. I think I was just expecting something a little more revolutionary. This is just fine.

Rotten Tomato Consensus: A perfect match of screenplay, director, and leading man, The Big Sleep stands as a towering achievement in film noir whose grim vitality remains undimmed.

Howard Hawks film. Bogie. Bacall, who is still alive! Second film together. The first, To Have and Have Not, also directed by Hawks, based on the work of Ernest Hemingway. The real life couple would do three more. The others, Two Guys from Milwaukee, Dark Passage, and Key Largo. This is supposed to be the best.  Based on the novel by Raymond Chandler, the first novel that features private detective Philip Marlowe, not to be confused with Sam Spade, the Dashiell Hammett gumshoe, the other hard-boiled detective made famous by Humphrey Bogart, with the William Faulkner working on the script. Lots of twists and turns. No one is to be trusted. Should love it but was sort of meh about it until the end. Liked it alright but got impatient.

That ending though. That was good shit. After we find out whodunit and what not, we get this big, isolated ambush scene but Marlowe gets the jump on the villain, Mars, played by John Ridgely, and at gunpoint makes him leave the house where his own goons await, ready to shoot the first person to come through the door. The scene is reminiscent of L.A. Confidential which that film obviously pays homage where Exley and White have their big gun battle out in an isolated bungalow.

Solid but not likely to make it past the next purge of my Plex server. Though it did get me interested in the Bogie's other work. Also, without this movie there would be no The Big Lebowski.

Edit: Oh yeah. 1946 is considered one of Hollywood's greatest years. I'm going to take five of Hollywood's best and look at several movies from those years and make the decision of which is top dog. Going to official announce what years I'll be looking at soon but I'm pretty sure 1946 is going to be on there. Tune in tomorrow for the other four.