Showing posts with label John Huston. Show all posts
Showing posts with label John Huston. Show all posts

Thursday, September 9, 2021

What I watched: August 2021

Here are the movies/television programs I watched last month. Giving each a one-word review (maybe with some notes), where I watched it, and when it was made. Going to make this a thing...   

Michelle Buteau: Welcome to Buteaupia - 2020 - Netflix - Okay - She was funnish, but not nearly what I was led to believe

Jungle Cruise - 2021 - Drive-In - Good - Had more fun watching this than The African Queen

The African Queen - 1951 - Criterion - Bad - Yeah, I know

The Dead - 1986 - Criterion - Bad - John Huston whiffs again, this in his last film

Going Nuts: Tales from a Squirrel - 2019 - HBO Max - Great - Love a good, lighthearted nature documentary

The Bedroom Window - 1987 - Criterion - Great - I fucking loved this movie. Neo-noir is my fucking jam. This one is exceptional, and the only one I've seen that stars Steve "The Goot" Guttenberg. 

Untold: The Malice at the Palace - 2021- Netflix - Good - Still hurts. Pretty sure it cost Reggie a championship. I may be biased but I always thought David Stern and the media fucked us on this (by us I mean the Pacers). Stern and his anti-Pacer bullshit peaked then. The media was waiting to go off on the NBA. Great documentary though

Free Guy - 2021 - AMC Theater - Good - Super fun movie. Ryan Reynolds is a treasure. The film was nice with a really interesting gimmick 

Warm Bodies - 2013 - Plex - Good - A zombie love story. Super creative and well-acted. One of the better zombie takes from the last decade, for sure

Homicide - 1991 - Criterion - Good - Aggressive David Mamet, zionist shit... But it is pretty good

Witness - 1985 - Plex - Good - Harrison Ford protects a little Amish boy who witnessed a murder. Goes to their community, bones the kid's mom, and kicks some fucking ass. Ridiculous but solid. 

Cube - 1997 - Plex - Good - Impressive low-budget Canadian horror flick. Has a huge cult following, which I don't really get. But it was fine. 

Lord of Illusions - 1995 - Prime - Great - Really feeling Clive Barker's films lately. Love a neo-noir supernatural horror flick. Wish he'd get back to directing as Hellraiser, Nightbreed, and Lord of Illusions are all classics. 

2001 Maniacs - 2005 - Plex - Fucking Terrible

The Great Escape - 1963 - Plex - Fucking Incredible - One of my all-time faves, I watch this every few years. Steve McQueen is so damn cool it is insane; however, I think James Garner and James Coburn are often overlooked for their work on the film. Whenever I watch this, I try to pull off the cutoff sweatshirt look, much to my female companion's irritation. 

The Asphalt Jungle - 1950 - Criterion - Great - John Huston definitely redeemed himself in my eyes with this gritty, trash crime flick. The first film with Marilyn Monroe. So worth a watch.

Monday, August 30, 2021

The Asphalt Jungle is the greatest movie of all time

The Asphalt Jungle. "One way or another, we all work for our vice." Might be the darkest Hayes Code era flicks I've seen, the movie was released in 1950. It leaves a bad taste in your mouth, even for a John Huston movie, but is an undeniable masterpiece. Not my favorite Huston flick, but damn good. 

Based on the 1949 book of the same name by W. R. Burnett. The gist of the movie is a group of guys pull off a major jewel heist in the Midwest only for things to go to shit when the men start double-crossing each other. 

Though you probably won't recognize many of the actors, the performances are flawless. The film stars Sterling Hayden (his performance is stellar) who is the guy who breaks Michael's jaw in The Godfather, Louis Calhern (also phenomenal) who I only recognize from Duck Soup, the talented Jean Hagen (another breakout performance) who played Lina Lamont in Singin' in the Rain, the guy who played Brooks in The Shawshank Redemption, and, most notably, Marilyn Monroe, in one of her earliest roles. 

A lot of cringe with Marilyn's character. Young and Marilyn Monroe at her peak hot, her creepy uncle has some sexual predatory stuff going on with her. That's pretty unpleasant to watch, for sure. But damn, Monroe makes quite an impact on the screen. 

Doing some half-assed internet research, supposedly Huston's first choice for the role played by Monroe was Lola Albright, who was quite a looker herself. When she wasn't available, Huston brought in Monroe for a screen test. He wasn't sure she was right for the part and dismissed her. However, he changed his mind when he watched her walking out the door. According to one Eddie Muller's intro to the Turner Classic Movies Noir Alley presentation of the film, Huston later said Monroe was "one of the few actresses who could make an entrance by leaving the room." I find this claim dubious but somewhat on brand. 

In his autobiography, also a dubious source, Huston claims he felt protective of her and when it seemed some unnamed studio executive was trying to "set her up for the casting couch," screen-tested her for another role, as to get that far in the process at that studio meant boning this asshole. But he didn't cast her and she disappeared. A year later, now with agent Johnny Hyde, she was back to screen-test for Asphalt Jungle. When she came around, Huston recognized her as the girl he'd saved from the casting couch. "She was Angela to a T. "I later discovered that Johnny Hyde was in love with her," Huston wrote. "Johnny was a very fine, very reliable agent, and we were friends, but Marilyn didn't get the part because of Johnny. She got it because she was damn good." I choose to believe that story over the one where he was kind of a creep.

Huston gets my vote for MVP for more or less discovering Monroe and getting insane performances out of this cast of no-names. Plus he maybe saved Monroe from having to bone some skeezy dude. 

Wednesday, August 11, 2021

The African Queen - John Huston - 1952

★★-The African Queen. "I never dreamed that any mere physical experience could be so stimulating!" Oh calm down Katharine. Saw this in 1999. Fucking hated it. Was hoping this time I'd see something different and appreciate it more. That didn't fucking happen. Love director John Huston. A personal hero. Hated this fucking movie. 

Considered an all-time classic, this is the only movie that Humphrey Bogart (Bogey) won an Academy Award for. Stars him and Katharine Hepburn. He is a gin-guzzling dipshit riverboat captain. She is missionary who really thinks highly of herself. After her brother dies when the Germans come to town and tool on him, she goes with the nearest white man she kind find. Together, the two of them pal around and presumably do some fuckin on the "African Queen" whilst heading down the Nile to blow up a German military vessel in Africa during WWI. Yeah, it's insanely historically accurate, I'm sure. There are other people in this movie, I think, but none of them fucking matter. 

Based on the novel by C. S. Forester, the film was released in 1951. It is listed as the No. 65 American movie of all time according to the AFI's 100 Years...100 Movies (10th Anniversary Edition) list. It was No. 17 on the 1998 list. 

From the stills from this film, you'd expect this to be Driving Miss Daisy with these two old farts plodding around on a boat. Turns out they are supposed to be like five years younger than me. 

Much more interesting than the film itself are the stories that came out of the production. Like Apocalypse Now except more interesting but on a shittier movie. Bogey drank his fucking ass off (he and Huston were the only two people on set that didn't get dysentery which both attributed to only drinking water that was mostly Scotch [he also only ate canned food, which was not the case with Huston, as you'll see), Kathatharine was almost killed in about seven different ways, and Huston ate human. It sounds fucking wild. 

Learned most of this from reading John Huston's autobiography. When dealing with this film he talks all about how he ate some mystery meat stew while in Africa that turned out to be human. Yum!

Gist of this story is that while location scouting, the village he was in had this shitty hunter that made food for everyone. Some pot that consisted of "monkey, forest pig, deer, and you-name-it." Eventually someone did. Native Africans could only carry a muzzleloader and this dude was a shit shot. Huston remarks that he didn't know how this guy could sustain a village when he was so unskilled. But villagers were mysteriously vanishing from nearby areas. When this guy couldn't get game for the pot, he got the meat "the simplest way possible." Barf. But Huston I think got the hunger, saying "I must say I couldn't tell the difference in the taste." Luckily this was before Bogey and Hepburn arrived. "Only a few of us were so privileged as to dine so exclusively." Alright. Can't have the talent munching on long pig. That'd be quite the craft table. 

Anyway. All of this is highly dubious. I've heard that this bio is complete bullshit. But here is something else he talks about in the book. When it came time to use some locals as extras, no one came to the shoot. Turned out that word had gotten out that if you go to the set, John Huston is probably going to eat you. The hunger and all. 

Not sure anyone really earned the MVP for this flick. Bogart and Hepburn couldn't have had less chemistry. He is a drunk, dirty man who has a tight five of mocking animals and has a face like a catcher's mit. Hepburn goes from thinking he is a drunk low-life to being head-over-heels after she sees him jump around like a baboon. Hepburn, on the other hand, is either 30 or 70 here. She basically always looks exactly like this. Could have been filmed the same year as On Golden Pond by the looks of her. 

This movie is nonsense. I feel it was John Huston wanting to go on safari and have the studio fit the bill. The ending involves improptuing a torpedo for god's sake. The movie starts as action, goes hard romance for like 2/3 of the movie, then comes back to action. Nonsense. 

Thursday, August 8, 2019

Chinatown is the greatest movie ever made


Chinatown. Forget it, Jake. It's Chinatown. She's my sister AND my daughter! Fuu-uuuck this movie. I mean, solid hard-boiled detective movie. That little freak Roman Polanski did alright. His first movie after Charles Manson's crew killed his preggo wife, Sharon Tate. Couldn't really imagine a darker ending to a movie. Obvious that Polanski, who is a fucked up little man, will get into a bit, I'm sure, was going through some shit when making this, the movie with the most off topic title of all time.

Rotten Tomato Consensus: As bruised and cynical as the decade that produced it, this noir classic benefits from Robert Towne's brilliant screenplay, director Roman Polanski's steady hand, and wonderful performances from Jack Nicholson and Faye Dunaway.

Gist of the movie. Classic neo-noir mystery where Jack Nicholson's character, J. J. "Jake" Gittes, is paid by one Evelyn Mulwray to spy on her husband, Hollis, whom she believes is cheating on her. Hollis, it turns out, is the chief engineer for the Los Angeles Department of Water and Power and is publicly feuding with his former business partner and father in-law, Noah Cross, for Hollis's assertion that the creating a new reservoir would be unsafe. Gittes then photographs Hollis with a young woman who it is assumed he is having an affair with. After the pictures turn up on the front page of the paper, Hollis Mulwray ends up dead by apparent suicide. But all this turns out to be bullshit when the real Mrs. Mulwray, played by Faye Dunaway, shows up and Gittes starts investigating the whole thing as a murder.

Second Robert Evans/Paramount Pictures movie directed by Polanski. Written by Robert Towne, he based the screenplay on the California Water Wars which is some real interesting shit. Stars include Nicholson and Dunaway. Also John Hillerman who was Higgins in Magnum P.I., James Hong who was the standard Asian guy in movies for a while (you may remember him as Lo Pan from Big Trouble in Little China or the "so cold" guy in Blade Runner), Polanski as the guy who cuts Gittes's nose, and Burt Young who was Paulie in the Rocky movies.

Some bullet points... Burt Young's character is a wife beating asshole that really didn't age well coming from a director like Polanski who bragged about cheating on his beautiful, preggers wife before she was murdered by the Manson Family, said no woman was his intellectual equal, and had sex with multiple children which ultimately forced him to flee the country. In this we see Young getting pictures from Gittes of his wife boning some other guy. At the end, Gittes goes to Young's and the wife answers the door with black eyes. It is treated like a joke. Can just imagine Polanski being like, "ah, she'll have black eyes and be cooking dinner, it'll be funny!" But, yeah, that chick is a really shitty place with no way out. Instead of this guy she was at least physically into, maybe emotionally or whatever, now she just gets beat at home, forced to cook this prick's dinner and what not. Not hard to imagine why she went outside the marriage with him treating her as such. 

Nice little Seabiscuit Easter egg at the beginning of the movie. Gittes is reading the LA Times and on the cover of the newspaper it talks about the famed horse written about by Kenyon alum Laura Hillenbrand. 

Director John Huston is solid and creepy as shit as Cross. I may like him as much as an actor as I like him as a director. Currently reading his autobiography, An Open Book. Him and Brad Pitt are my current man crushes. Though his part in this is truly fucked and disturbing. Doesn't get any better than when Nicholson and him have their little talk when we first see the Cross character. There Cross and Gittes talk thus:
Cross: You've got a nasty reputation, Mr. Gits. I like that.
Gittes: Thanks.
Cross: If you were a bank president, that would be one thing. But in your business it's admirable and it's good advertising.
Gittes: It doesn't hurt.
Cross: It's, um, why you attracted a client like my daughter.
Gittes: Probably.
Cross: But I'm surprised you're still working for her - unless she's suddenly come up with another husband.
Gittes: No. She happens to think the last one was murdered.
Cross: Umm, how'd she get that idea?
Gittes: I think I gave it to her.
...
Cross: Gittes. You're dealing with a disturbed woman who's just lost her husband. I don't want her taken advantage of. Sit down.
Gittes: What for?
Cross: You may think you know what you're dealing with, but believe me, you don't
That is some player shit from Huston. Have to think he got some enjoyment out of saying all of this to Nicholson who was, at the time, dating his daughter, the lovely Angelica Huston. It's probably my favorite scene in the movie. Plus he is onto something there as Gittes, in my opinion, is sort of a shitty detective. Throughout the movie there are like five times where Gittes more or less proclaims he has figured it all out and was wrong as fuck. Dude thinks he knows everything. He doesn't know shit. Also, full of shit. Says some shit about him drawing the line at extortion. Bullshit. He bones a client for fuck's sake. And the weird I think racist joke he tells that is not funny and I'm not sure I really get, is fucking stupid and ill timed. But there is no universe where Nicholson's portrayal of the character doesn't win this movie.

Was inspired to watch this flick again after 20 years after watching Once Upon a Time In... Hollywood. Tried watching it imagining the Rick Dalton character in the Gittes role as I assume in that universe, Dalton is staring in Polanski flicks instead of Nicholson. Maybe with him instead, so like one of the other detectives or something. But I could totes see DiCaprio as Dalton as Gittes. Lot going on there mentally but I see it.

So, now, that ending, spoiler, is fucking dark. Fuck that shit. Female watching companion did not like. Dunaway gets shot in the eye by the cops when trying to flee her rapist father who is trying to take back his daughter/granddaughter. Once the car stops and the girl is screaming and Huston shields her eyes in about as creepy of a way as possible, it looks as though the girl is going to live with her rich daddy-granddaddy. This disgusting, gross murdering perv. I'm sure that is going to be fucking great. Must have blocked that shit. Left a horrible taste in my mouth. Had to start a Pixar movie as a pick me up.

Friday, July 26, 2019

The Treasure of the Sierra Madre is the greatest movie of all time


The Treasure of the Sierra Madre. I know what gold does to men's souls... Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinking badges! John Huston movie from 1948. Amazing film. Winner of three Academy Awards. One for the father of Huston, Walter, for Best Supporting. Two for John, one for Best Director and one for Best Adapted Screenplay. When daughter Anjelica Huston won for Best Supporting in 1985 for Prizzi's Honor, haven't seen it and looks terrible, they became the first three generation family to win Academy Awards. The Coppollas have since done this as well. Filmed on location just because Huston was an adventurer and wanted to go to Mexico. Also get away from the studio. Humphrey Bogart is completely fucking deranged in this extremely dark flick. Huston's old man, Walter, becomes what we collectively think of when we think olde timey prospector. A first time watch, this instantly became one of my favorite films. Been on a John Huston kick since watching the documentary They'll Love Me When I'm Dead about the until recently unreleased film The Other Side of the Wind by one Orson Welles. Huston is like the Dos XX guy except not irritating and real. His look and his voice. Cool shit. Fathered the lovely Angelica Huston, hands down my female companion's favorite. Also, you may have heard, he's a pretty solid filmmaker. This film is considered one of his best though this is one of four he directed with a perfect score on Rotten Tomatoes (along with Fat City, The Maltese Falcon, and The Misfits).

Rotten Tomato Consensus: Remade but never duplicated, this darkly humorous morality tale represents John Huston at his finest.

Gist of the movie is two dirt poor Americans living in Mexico, Bob Curtin played by Tim Holt and wild man Fred C. Dobbs played by Humphrey Bogart, desperate for money, decide to join a old prospector, Howard who is played by the director's father, Walter Huston, in the Sierra Madre Mountains to mine for gold. The three make a fortune but bandits and greed brings it all crashing down.

While Huston the elder won the Academy Award for Best Supporting, it is Bogie's deranged performance that is most memorable. First off, dude looks like complete shit. It is rumored that he was taking fertility drugs, he and wife Lauren Bacall were trying to conceive, but that may or may not be bullshit. What is known is that he showed up bald and aged which doctors blamed on heavy drinking and a vitamin B deficiency. Huston rolled with it though as it just made the character that much crazier. He goes from being a shortsighted bum asking an American, played by the director, multiple times for money for food, never bothering to look the guy in the eye, to a completely uncontrollable Gollum type figure, completely obsessing over his newfound wealth.

I mean, at first he was a guy who couldn't pick the guy giving him handouts out of a lineup, begrudged the guy keeping him alive rather than being thankful. Then he and partner Bob get a gig that involves a lot of work from an American contractor with a huge payday at the end which never comes. The guy completely suckers them. Next thing you know, they run into the guy at a bar where he tries to sucker them again. An extremely clumsy and realistic fight breaks out when the labor boss knows he's fucked and goes on the offensive, attacking them with a bottle. They eventually kick the shit out of the guy with Bogart's character reaching into the guy's wallet and taking only the money they were owed. Later in the movie, after they have found enough gold to support the men for a lifetime, not long after buddy Bob saves Dobbs's life when he gets trapped in a mine, the unhinged Bogart character comes completely undone, obsessively fixed on Bob and Howard cutting him out and taking his share for themselves. Late in the movie, when Howard is living it up in a Mexican village after saving a child's life, it is just Dobbs and Curtin making their way to town. But Dobbs is already gone by that point, his mind clawed out, he tells Curtin, whom he has attacked and has him at gunpoint, that once he falls asleep, he is going to kill him. The wild look in his eye after staying up for days is fucking chilling. You sure as shit don't want him in your party, you outlasting him in an endurance contest for your life. Yeah, he totally wins the movie.

A young Robert Blake, passing as Mexican
All of that stuff with the three guys finding all that gold and it destroying at least one of them and them ending up with nothing in the end reminds me of "The Pardoner's Tale" from the Canterbury Tales, my favorite among them. In that three men search for Death whereupon they encounter an old man who says he saw Death behind a tree. When they go to that tree they find gold and guard it overnight. At first all is good but when they draw straws, sending the youngest one to town for food and wine, the two left behind plot to kill him, which they do. But they soon discover that the younger man has poisoned their provisions and die a painful, grueling death. The difference between this tale and the movie, however, is that only Dobbs had murder on his mind. The other two, though they lose everything, literally laugh it off in the end at the absurdity of the situation.

Huston, looking fly
This is also one of those films with lots of great stories coming out of the production. Like how John Huston adopted an orphan child. Or how Italian American Our Gang child star Robert Blake, who would later go on to star in such films as In Cold Blood/play a minor but pivotal part in Lost Highway and eventually murder his future wife, played the little Mexican boy selling lottery numbers, which Bogart's character wins. But the weirdest of this has to be the story of one Hal Croves's presence on set and the theory surrounding his identity.

The gist of this is that the author of the novel that the movie is based on, B. Traven, was extremely reclusive with all the details about him, including his name or real identity, subject to dispute. As I read about this guy, I became certain that this is who Roberto Bolaño based his novelist character Benno von Archimboldi in the book 2666, one of my three favorite books of all-time. (A quick Google search showed I wasn't alone in this theory). Anyway, the author was supposed to show up on set and work as a technical advisor for $1000 a week but instead a guy claiming the name Hal Croves, said to be a close friend of the author, showed up in his stead. Pretty much everyone was like, uh, this is obviously Traven, though he denied it, but Huston didn't want to make a big deal about it. He was getting a knowledgeable adviser and translator for $150 a week instead of a grand and respected the guy's privacy. He later even wrote in his autobiography that he ultimately didn't think they were the same person because of the way he spoke and acted IRL was so different than their correspondence via letters and such. Huston further explained that a lot of this theorizing was the result of people on set asking Croves if he was Traven and him denying it in this bullshitty way that made people think he was indeed full of shit. However, Huston's wife at the time, actress Evelyn Keyes, who was apparently cool with Huston's impromptu adoption of a Mexican child, by the by, was sure they were the goddamn person. According to her, Croves said "I" instead of "he" and basically sounded exactly like the guy in the letters he had written to Huston. Fascinating shit you can read about along with who Traven may or may not have really been in "The Mystery of B. Traven," a nice piece of journalism, at Vice.