Wednesday, April 12, 2023

Babylon - Damien Chazelle - 2022


★★-Babylon
. Yet another film set in the late 1920s and early 1930s in Hollywood, during the transition from silent films to “talkies.” As such it is a movie I feel I've seen multiple times before. Also, not great, though interesting. 

Directed by Damien Chazelle whose claim to fame was La La Land. Overrated. It features an ensemble cast including Brad Pitt, Margot Robbie, Tobey Maguire, Diego Calva, Jean Smart, Rory Scovel (probably the best comedian I've seen live), Jovan Adepo, and Li Jun Li. 

Has multiple Singing in the Rain references. This film also tells that story from much grimier perspective. When the lone character who survives into the 1950s sees the film when visiting Hollywood with his family, he cries. Well, I sort of wanted to cry watching Babylon for being such a waste of talent and potential. 

As someone who loves Pitt and Robbie as well as this time period, the movie was a mixed bag of enjoyable scenes that lacked a cohesive narrative. Overall, it felt like a movie with a bunch of great scenes (the opening dance/orgy bit on the outskirts of Hollywood and the closing credits bit both come to mind) that doesn't do a good job of coming together. Any one scene I probably found enjoyable, but the sum of them felt shallow. One of those flicks that seems entertaining, but at the end it doesn't quite come together to form a complete or even halfway decent story and you leave it feeling shitty. 

“The asshole of Los Angles” scene is incredible. Tobey Maguire was great and disgusting here. Dudes in over their heads have to go into a horribly dangerous situation because of their idiocy that practically screams “get the fuck out.” Also, having to deal with an unhinged rich maniac drinking booze and ether. This is McGuire's character, who is unsettling. Reminded me of Boogey Nights with the “Wonderland” scene based on John Holmes's bullshit that got a bunch of people killed. 

It's said to be a love letter to Hollywood's golden age, which is quite a claim. It also tries to be a commentary on the industry's historical and ongoing issues with diversity and representation. Okay. Glad I didn't set through its over three hour runtime in an actual theater. Underwhelmed is all I'm saying. 

No comments: