X. I thought it was amazing up until a somewhat stupid thing thrown in at the end that sort of changes how you can interpret the movie but doesn't really change anything. Without giving anything away, it is one of those, "oh, um, okay, whatever," things that are sort of irritating. However, movie redeems itself with an incredible last line. Fantastic. Glad Ti West is making horror again.
Set in 1979, a group of young people set out to make an adult movie in a rural Texas farmhouse. The elderly couple, it turns out, has some creepy shit going on and shit hits the fan when the wife gets all riled up. It's what you'd call a psycho-biddy movie.
All the men in the movie, in true final girl genre fashion, are extremely incompetent. They are the first to die, are sexually worthless (except for Cudi's character), and don't recognize when they are in extreme danger. Typical dudes in slasher shit, except they each display a little complexity. Not as much as the women, who are extremely well done, but come off as real people instead of just existing to die. I'm currently reading The Final Girl Support Group so this is all fresh in my mind.
Some real talent on display here in this A24 picture. Not only is it West's return to horror, it stars Mia Goth from the Suspiria remake, Jenna Ortega (who is having a real moment), this Martin Henderson guy I only know from Smokin' Aces, and Kid Cudi (the rapper guy). Rounding out the cast are ones Brittany Snow, Owen Campbell, and Stephen Ure, none of whom I know.
This Jenna Ortega chick is on fire right now. She was dope in Scream and is in two other movies at the top of my watch list -- American Carnage and Studio 666. She's great in this flick, too. But the real star and MVP of the movie is Goth. She plays both the final girl porn actress and the old psycho lady. They are two sides of the same coin, sympathetic victims, both of them, one getting opportunities because of her looks and drive, the other who is old and has lost much of her self-worth. She is incredible in both parts.See it as something of a love letter to the movies West grew up on, like Tarantino for horror, especially Tobe Hooper's 1974 masterpiece The Texas Chain Saw Massacre. The layout of the murder house even appears to be the same as the one the family occupies in Chain Saw. There is a lot to love here. First off, I am a sucker for a meta treatment, the whole film-within-the-film with an adult twist with The Farmer's Daughter. This is the way to go with a contemporary slasher if you want it to be any good.
Other obvious influences include Psycho (1960), Hardcore (1979), Alligator (1980), and Boogie Nights (1997). Also 1970s pornography--I hear, though I am not familiar.
Lastly, West secretly made a prequel, Pearl, which was shot back-to-back with X. It's part of a trilogy, apparently, which I am stoked about.
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