Thursday, January 1, 2026

Top 10 of 2025: Tie—10. The Monkey


★★★★--Watched exactly 100 movies from this past year. This out of 219 total for the year. First was Get Away. Last was Neighborhood Watch. Neither of them made my best of, though Neighborhood Watch was a lot of fun. 

Some honorable mentions include The Smash Machine, Weapons, Companion, Bugonia, The Shrouds, Invader, Marty Supreme, and Dead of Winter. Any year I struggle to put just 10 movies on my favorite list is a good year. 

 

A lot of these are “better” than the films on my list, these are just the ones that are my 10 favorite.

 

Anyway, The Monkey. The third twin movie on this list. It’s not a perfect movie. Star Theo James is much more believable as the cool, dickhead brother. 

 

Based on a Stephen King story. I read this three or four years ago before watching Monkey Shines, which I thought was based on King’s work. It wasn’t, but is still awesome. 

 

This is the only of Osgood Perkins’s three movies I’ve really cared for so far, the other two being Longlegs and Keeper. Here he delves deep into his personal trauma. His father, Anthony Perkins, you know, Norman Bates, died when the director was young of complications of AIDS, which he contracted as a closeted gay man. His mother, Berry Berenson, also an actress, was on American Airlines Flight 11 that crashed into the North Tower of the World Trade Center during the 9/11 attacks. Perkins has said as much, saying specifically it’s about the melancholy of living. How casual tragedy becomes, like with the priest treating the funerals as a joke. Most of the deaths are funny as hell. But it’s inevitable, tragedy, death, and it comes in ways you don’t see coming, but is always just around the corner. Embrace the absurdity of living, this film says, or you are gonna have a hard time. That’s my brand.

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