Showing posts with label Cinema of Japan. Show all posts
Showing posts with label Cinema of Japan. Show all posts

Tuesday, October 8, 2024

31 Days of Halloween: Tetsuo: The Iron Man - A Surreal Dive into Industrial Body Horror

Tetsuo: The Iron Man - Shinya Tsukamoto - 1989

 


★★★★-Day 8 of the Nightmare on Film Street 31 Days of Halloween Horror Challenge. Body horror night. Went all out with this bizarre Japanese flick with this weird communicable cyborg thing going on. Imagery is beautiful, the “iron man” has this this industrial, modern art thing happening that I dig. Also, what’s a Japanese movie without a lot of phallic imagery? It’s like going to Tokyo on a rare Godzilla-free day. 

 

Not a lot to follow plot-wise. You are just in this world and going with it. That’s not to say it isn’t entertaining. It is funny/fun in a slapstick sort of way. I imagine director Shinya Tsukamoto gets a lot of Cronenberg and Lynch comparisons, but I also get a whiff of Sam Raimi.

 

Overall, well-acted, ugly beautiful, superbly stylish, and extremely interesting, though it kind of feels like a joke that you don’t quite get. Regardless, I can 100% say it is not like anything I’ve ever seen before. 

Monday, July 31, 2023

Throne of Blood - Akira Kurosawa - 1957


★★★★★-Over the course of three decades, Japanese director Akira Kurosawa masterfully crafted three Shakespeare-inspired films: Throne of Blood, an adaptation of Macbeth, set in feudal Japan, The Bad Sleep Well a crime noir thriller based on Hamlet, and Ran, an epic samurai tale inspired by King Lear. Each of these films showcases Kurosawa's exceptional talent for blending Shakespearean themes with the rich cultural tapestry of Japan.

Watched all of these Shakespeare inspired films for a Shakespeare Tragedies seminar I took in college. It was one of my favorite classes. We also read a lot of Samual Beckett along with the six Shakespeare plays we focused on: Hamlet, Julius Caesar, King Lear (my favorite), Macbeth, Othello, and Richard III. There were some others, of course, Merchant of Venice and The Tempest, for example, which are technically comedies, but are both as dark as they come. Anyway, this was my favorite adaptation, at the time. We'll see how I feel now. The class really opened up my eyes to Kurosawa. I love his films. 

(Side note, for this class we all had to present on something Shakespeare related. I did pop culture Shakespeare, really going into detail about the film Scotland, PA, which is also based on Macbeth. It is incredible and hilarious. I also talked about pornography based on the Barb. The one title I remember was A Midsummer's Night Cream, which sounds like something that would make me vomit. I got an A+ in that class and would kill for that professor, by the by.)

Throne of Blood was Kurosawa's first reimagining of Shakespeare's work, transporting the plot from Medieval Scotland to feudal Japan, cleverly infusing elements from Noh drama. Noh is a classical Japanese dance-drama that dates back to the 14th century and remains a major theater art in Japan today. It is the oldest theater form still regularly performed. Noh integrates masks, costumes, and props in dance-based performances, relying on highly skilled actors and musicians to convey emotions through stylized gestures. The plays often draw from traditional literature, with supernatural beings transforming into human heroes who narrate captivating stories. Iconic masks represent various roles, from ghosts to deities. Pretty cool shit. 

The film stars the iconic Toshiro Mifune and Isuzu Yamada, in the Macbeth and Lady Macbeth roles, respectively. Mifune's portrayal of a man unraveling is something to behold. Imagine this is a dude's first day ruling shit and he goes insane and starts fighting ghosts that aren't there. I imagine this wouldn't go over well. When he has his freakout moment in the forest and receiving prophecy, it truly is masterful filmmaking. Ghostly, strange, full of rage and madness. This is Macbeth at its finest. A raving lunatic with the enemy literally at the gate, taking arrows from his own army like he's Scarface. 

Remember the last circle of hell in Dante devoted to this type of shit. Chewed on by Satan with Brutus, Cassius, and Judas shit. The scene where the guards getting blamed get shot with arrows and chased off is messed up. 

The Lady Macbeth role isn't as strong as the Shakespearean version. In this, she shows up suddenly and is immediately like, “kill your lord, yo.” Feel like maybe he is relying on everyone to know the story or something. Plus, she is constantly swishing around in her little Geisha getup. Hearing that 24/7 would make me want to murder, too. 

Classic Shakespeare meets feudal Japan. The film more or less retains the essence of the play. Gist is a warrior who, upon hearing a prophecy from a witch in the wood and with the prodding of his ambitious wife, kills his lord to consolidate his power. Despite the changes in setting, language, and creative liberties taken, the film is widely regarded as one of the most exceptional film adaptations of the play. Universal story shown in a uniquely Kurosawa way with a uniquely remarkable ending.

Overall, the scale of the film is staggering for a production outside of Hollywood in the 1950s. I still love nearly every second of this film. Could have been shot yesterday for all I know. It looks incredible. Samurai look is a good one. I might dress and do my hair like that. The prophet dance is a really tense and great scene. Think there could have been some more character development overall. Less than the Shakespeare plays, for sure. But that is a minor complaint. Highly recommend. 

Tuesday, June 22, 2021

House (1977) is the greatest movie of all time

House. "The girls will wake up... when they are hungry." "Bananas... everywhere!" This movie is fucking bananas. It is out there. Obviously influenced some of my favorite horror, but this was something else. Definitely a lot of fun, but I'm not sure it is good. Basically takes the whole haunted house trope, and turns it into a zany movie of extremes that I guess are sort funny. Like Evil Dead II, but not nearly as good. I was really feeling it and then the last 10 or so minutes were terrible. 

Gist is a young woman and six of her schoolmates travel to her elderly aunt's home in the country, which, indeed, turns out to be haunted. Thats one way to explain it, I guess. But what ensues is pretty indescribable. 

House is made in 1977. The Japanese horror comedy was directed, written, and produced by one Nobuhiko Obayashi. It came about after a film company approached him (he was previously a director of commercials) about writing a script "like Jaws." When he came back with the screenplay for this nonsense and the company was like, "what the fuck is this shit?",  and he figured he'd have to make the movie himself if he wanted his vision to come to life. 

Amateur actors are okay, but the real MVP of the movie has to be Obayashi for getting this psychedelic flick made. It is also pretty engaging and beautiful. From the trailer, I was expecting way less in terms of plot, not this this has a real coherent narrative or anything. It is worth a watch if you are into extremely weird shit.