★★★★★-Last movie from my Christopher Nolan rewatch before going into Oppenheimer. Saved my favorite, going in at least, for last. What a goddamned mindfuck of a movie. I LOVE Nolan. All of his films are spectacular. He is a true genius. One of only a handful currently making pictures. I believe this is his best movie. I watch it at a rate of every six years. Saw in the theater, in 2016, and just the other day. While I think I might understand it more, my brain can only take so much. That's what happens when we get dreams within dreams to the god knows what degree.
The gist is Leonardo DiCaprio plays a professional thief who steals information by infiltrating the subconscious of his targets. He's an international criminal who is offered the job of implanting an idea into the subconscious of a target (played by Cillian Murphy). In exchange, he'll have his record expunged.
That's the short gist, of course. The film is extraordinarily complex with the thieves entering dreams, within dreams, within dreams. Like six levels of this. This flick is the ultimate mindfuck.
Written and directed by Nolan, who also produced the film with his wife Emma Thomas. Ensemble cast includes DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Murphy, Marion Cotillard, Elliot Page, Tom Hardy, Dileep Rao, Tom Berenger, and Michael Caine. What a crop.Won four Oscars (Best Cinematography, Best Sound Editing, Best Sound Mixing, Best Visual Effects) and was nominated for four more (Best Picture, Best Original Screenplay, Best Art Direction, Best Original Score) at the 83rd Academy Awards. Lost out to The King's Speech, one of the many miscarriages of justice, that film winning. Was up against what I think is the second best film of this century in The Social Network.
Could have lived with this film winning as well. Can read it in about 10 different ways. What it means, how it ends, so forth. I find it incredible that this isn't at the top of everyone's list of best Nolan movies. However, I will grant that his top three are all unquestioned masterpieces, and all of his films are great. Off the success of one of those masterpieces, The Dark Knight, the emboldened Nolan went full Nolan.
High-concept, big budget, character-driven art house film that was the culmination of everything he'd learned up to that point. A master craftsman at the top of his game firing on all cylinders making a superb film that requires multiple viewings to appreciate. I loved it the first watch, my first IMAX viewing. I have loved it infinitely more with each viewing, and it's been a different watch every time. Challenging and rewarding. This is a top five film of this century. It is genuine movie magic.
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