BlackBerry, the silly, scrappy Canadian tale of corporate hubris and hilarity

Blackberry - Matt Johnson - 2023

★★★★-BlackBerry is quite the smart, scrappy flick that oscillates between silly and deadpan in the best possible way. Canadian indie flick. I loved it. One of the best films I've seen this year. Story, pacing, dialogue, acting, and characters are all fantastically executed. Film grabbed me from the very beginning. 

Gist of the film is a fictionalized account of the creation of the BlackBerry line of mobile phones by co-founders Douglas Fregin and Mike Lazaridis, along with investor Jim Balsillie. With all these corporate movies of late, the film shows a Canadian company that changed the world, but it's not Air. This isn't a positive portrayal. It's a company that got too big for its britches and caused its own destruction through hubris, skirting the law, and self-sabotage. 

Stars Jay Baruchel (This is the End, She's Out of Your League) as Mike Lazaridis and Glenn Howerton (Dennis Reynolds from It's Always Sunny in Philadelphia) as psychopathic co-CEO Jim Balsillie. Others include director Matt Johnson, Michael Ironside (Scanners, RoboCop), Saul Rubinek (Unforgiven, True Romance), and Cary Elwes (The Princess Bride)in supporting roles.

Directed by Matt Johnson and co-written by Johnson and producer Matthew Miller. Loosely based on the book Losing the Signal: The Untold Story Behind the Extraordinary Rise and Spectacular Fall of BlackBerry by Jacquie McNish and Sean Silcoff. 

Howerton elevates what would have been a solid flick into a great one. He plays his usual sociopath, only with more rage. Like a dead-eyed predator. Yet, there is still a lot of humor in that misguided rage. He comes off as a guy that might physically attack the people that work for him he is so quick to hilariously fly off the handle, asking them to do the impossible. He's worth the watch alone. 

Fool's Paradise - Charlie Day - 2023

★-Not good. In fact, very bad. It's there with Pootie Tang on the bell-curve of cinema. At least movies like that and Freddy Got Fingered have cult value. “Sepatow!” 

Seems like it's supposed to be an ode to silent film actors as well as a Hollywood satire, but it really doesn't work. The gist is a mute mental patient played by Charlie Day happens to look like this pain in the ass star and gets thrown into stardom after the other guy dies while autoerotic asphyxiating himself. We then follow this still silent, non-actor guy's rise to fame and fortune. 

Movie sort of relies on cameos to provide humor. It feels like one of those, dude calls in every big name he knows, and they come out and phone in a day of shooting. People you'll see in this flick: Jason Bateman, Kate Beckinsale, Adrien Brody, Common, Edie Falco, Glenn Howerton, Ken Jeong, Ray Liotta in his last role, John Malkovich, and Jason Sudeikis, among others. Something like Santa's Slay, for example, which also has cult appeal. 

More than anything, it was an unfunny satire about the type of douche bags that we hear about in these Hollywood inside baseball movies that become hot every few years. These have been coming out forever. Examples off the top of my head: The Player, Mulholland Drive, Sunset Boulevard, Once Upon a Time in Hollywood, Hail Caesar!, Barton Fink, The Aviator, Bowfinger, Ed Wood, the Eddie Murphy Dolemite movie, The Artist, The Disaster Artist, Movie 43, Kiss Kiss Bang Bang (a must-see), Get Shorty, Sullivan's Travels, The Bad and the Beautiful, Singin' in the Rain, Babylon (which I thought was underrated)... All of those movies are infinitely better than Fool's Paradise, which bummed me out. 

So, yeah, unfortunately a shockingly bad movie, Fool's Paradise was pretty much unwatchable. Dull-witted, unfunny, aimless. Avoid.