Longlegs - Cage at his Cagiest in this artsy fartsy crap

Longlegs - Oz Perkins - 2024

★★-Critics gushed over this? Not as high on it as everyone else. Thought it way overhyped, overrated, and completely aimless. Yeah, I hated it. Never found it remotely scary, more just cringeworthy. 
 
First, this is Nicolas Cage unleashed. Every time he was on screen there was a considerable amount of sighing and laughing. His performance is way out there. Saw this more or less getting universal praise, which is incredible. 
 
The protagonist, FBI Agent Lee Harker played by Maika Monroe, is maybe psychic with a touch of the tism. All that goes nowhere. Sort of like a frumpier Clarice Starling. Monroe is sort of second banana to Mia Goth when it comes to horror it girls. Done some great work as the leads in The Guest, It Follows, Villains, and Watcher,among others. This was my least favorite of her performances to date. 
 
Her mother is played by Alicia Witt. She is pretty out there as well. Her house looks like all the hoarders I’ve ever known. Mostly think of her from her roles in Urban Legend, Cecil B. Demented, Vanilla Sky, and one episode of The Sopranos. Was just wondering whatever happened to her. Doing shit like this, apparently.  
 

The look on my face every time Cage was on screen

Only other person I recognized was the Jack Crawford type, one Blair Underwood, who was the castrated killer guy in Just Cause, which was a great small town murder mystery from the mid-1990s, when this movie takes place. You might also remember him from LA Law or the sci-fi show The Event from a little over a decade ago. It was sort of one of those Lost/24 hybrids that were all the rage back then. He, too, is awful in this movie. 
 
The movie had phenomenal marketing. The trailer made it look like it was going to be amazing. Creep and dread I expected to be top tier, but no. Got a weird, dream-logic flick. 
 
It did look great. Cinematography was the one thing I can praise. Looked like a Fincher film, but was indeed garbage. Basically artsy crap. 
 
Other major problems I had with the movie: It doesn’t make a whole lot of sense. It’s slow and confusing. Felt way longer than an hour and 40 minutes, never a good sign. There was also sort of a compelling murder mystery in there. But good luck following all the literal puzzles involved. Technically great, but no substance. Again, hated it. Do not recommend.

Miami Blues - George Armitage - 1990

★★★★-Another insane erotic thriller with an improbably beautiful and drug-free prostitute that falls for a john. 

Gist is a criminal gets out of prison and goes on a series of rampages for the entirety of the movie while courting a young prostitute, telling her he has gone legit. It's pretty hilarious. This character is completely out-of-control. He gets so used to playing a cop that when he runs into the guy whose identity he's stolen screams, “Freeze! Police!” He screams back, “Freeze! Police!” Ridiculous, and laugh-out-loud humorous. 

It stars Alec Baldwin, Fred Ward, and Jennifer Jason Leigh. Nora Dunn, who looks pretty fine, makes a couple of appearances. Based on the novel by Charles Willeford. Directed by George Armitage. He also directed Grosse Pointe Blank and wrote The Late Shift about the Letterman/Leno saga to take of for Johnny Carson on “The Tonight Show.” Was one of Roger Corman's proteges. Not sure what happened with him, as he hasn't directed anything since 2004. A real shame. 

Dude asks her a little about herself and she starts talking about how she is working as a call-girl to pay her way through college. He says to her, “the first thing they should have taught you in hooker school is not to ask so many fucking questions.”

Opens to Baldwin getting out of prison and going on sort of having a low-key rampage through the airport. Steals a bunch of shit and breaks a Hare Krishna's finger. Homicide comes out. Detective is like WTF? Apparently the guy died of shock, which is weird thing to kick off a movie with. This guy definitely belongs behind bars. Cop investigates him, and he goes to his home, assaults him, and steals his badge. He then impersonates a cop to steal shit. He'll stop a crime, like a purse snatching, and then will take it himself. 

Says he wants a normal life. Lot of red flags. I wouldn't marry him. “Don't want to have kids. This world's a shit-hole.” Couldn't agree more. 

Lot of dark humor in this flick like that. I LOLed a couple of times. For example, Baldwin's character tells JJL that he is done with crime but keeps coming home progressively more physically messed up. Gets run over inside a convenience store after stopping a holdup while playing cop, which was wild. (The kid behind the counter has a killer Miami Heat tank top on. They were a new expansion team when this was made. Pretty cool.) Eventually, he gets his fingers chopped off by a machete. Yet he still tries to keep up the con. 

I vividly remember the cover of this movie in the video store. Had Baldwin shirtless aiming a gun. I assumed it was a serious cop movie and never watched it. Little did I know the insanity that I was in store for. Features on of the most revolting dinners I can imagine that features something called vinegar pie for dessert. Hard to believe I watched this on the Criterion Channel type of flick. However, highly recommend. 

In the Heat of the Night - Norman Jewison - 1967

★★★★★-First ever viewing of this profoundly outstanding film. Skilled direction and compelling performances. Deserves its stop on the AFI Top 100. 

Set in a racially tense small town where a black detective, Virgil Tibbs, from Philadelphia helps solve a murder. That's the gist, but it's deeper than that, going into racial inequity in the deep South while telling a compelling story and not getting preachy. It refrains from contrived inspirational moments, thank fuck, and instead presents complex, flawed characters. Truly masterful filmmaking. 

Stars the Sidney Poitier as the black detective opposite Rod Steiger (On the Waterfront) as the racist sheriff. Commanding performances from both of them indeed. I got more impressed with Poitier as the movie went along. He drips poise and dignity. Sort of hard to believe he didn't even get nominated for an Academy Award for this performance. Feels like a glaring omission that he wasn't for a timely film about Southern racism. Though Steiger's performance also really blew me away as well and he definitely earned his Oscar. 

Others you might recognize include Lee Grant (Damien: Omen II, Mulholland Drive) who is a real beauty who holds her own, Warren Oats (Badlands, Stripes, The Wild Bunch), and a young Scott Wilson (he was Herschel in The Walking Dead,one of the killers in In Cold Blood, and had a small but memorable part in one of my favorite horror comedies of all-time in Behind the Mask: The Rise of Leslie Vernon).

As much as any movie I can think of, the setting is also a character in the film. Feels like an authentic, hot and grimy small Southern town. Every scene is vivid, gritty, and real. 

The racist stuff can be pretty hard to watch. People in this town just lose their minds seeing a black guy. Pretty disturbing that this is how it was and probably still is in some parts. Multiple attempts are made on Virgil's life. The most powerful scene, for me, was when he goes with the sheriff to question the richest guy in town. Out front there is a racist statue and he employees black people in menial jobs that he obviously doesn't think highly of. He tells Virgil, while in his greenhouse, “Of all the orchids in this place, you should prefer the epiphytics. I wonder if you know why.”

“Maybe it would be helpful if you'd tell me,” Virgil says.

“Because, like the Negro, they need care and feedin' and cultivatin'.”

Uh, yeah, thanks for that insight, bra.

When Virgil questions him about the murder, the guy slaps him. Virgil, without missing a beat, slaps him back. Incredulous, the guy asks the sheriff what he is going to do about it. When it's clear he isn't going to do anything, he says he could have had him shot for that not long ago before crying like a punk. We then get one of the many attempts on Virgil's life, this seemingly unconnected to the slap. 

So, yeah, great film. All this said, however, the end was sort of a letdown. Builds and builds and then it's over. Also, for a hot shot detective, Virgil's police work and theories seem pretty suspect. Still though. Best movie about the South I can think of. Available on the Criterion Channel.

Homicide is the greatest movie of all time

Homicide. "I'm gonna tell you what the old whore said, and this is the truest thing I know: 'When you start cumming with the customers, it's time to quit.'" The third most David Mamet line I can think of written by David Mamet. The first is "Put that coffee down!! Coffee's for closers only." The second, from the same rant, is "You call yourself a salesman, you son of a bitch?" This guy. 

First, fuck David Mamet. He's a Trump-supporting, misogynistic Zionist. Dude does do aggressive, angry male characters well though. This is not a shocker. 

Watched 1991's Homicide as part of Criterion Collection Monday. Gist of the movie is Joe Mantegna (totally carries the movie) a self-hating Jewish homicide detective investigating a seemingly minor murder that ends up maybe being committed by an antisemitic hate group which eventually leads to him committing domestic terrorism for Zionists. Also in the movie are William H. Macy and Ving Rhames, both of whom are solid. 

Like any David Mamet movie, everyone talks like they are coked out of their minds with speech peppered with constant racial slurs and “fucks.” It's pretty solid but I’ll never fucking watch it again. If you like Glengarry Glen Ross, you'll probably like this. 

Like I said, Criterion movie. This director-approved release includes an audio commentary with Mamet and Macy, as well as cast interviews and a gag reel. Couldn’t imagine there is a more inappropriate movie with a gag real. This is in shocking taste... But I'm pretty curious about what is on it.

The Love Witch is the greatest movie of all time

The Love Witch. "Men are like children. They're very easy to please as long as we give them what they want..." "I'm the love witch! I'm your ultimate fantasy!" I loved this movie. Like Season of the Witch except good. Solid movie with a lot of layers to unpack. Plus it is extremely visually appealing. Would be a hell of a movie to trip to. 

Rotten Tomato Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.

Gist is a a modern-day witch uses her magic to get men to fall in love with her before killing them for failing to live up to expectations. She drugs them with love potions made out of hallucinogenics before giving men "what they want." She is totally deadpan, which allows the guys to project whatever they desire onto her, which drives them crazy. It's a playful tribute to 1960s horror and Technicolor films, combined with its serious inquiry into contemporary gender roles. It's a super interesting take. 

Came out in 2016. Was written, edited, directed, produced, and scored by Anna Biller. Stars Samantha Robinson (a very pretty lady) as Elaine Parks, the modern-day witch who uses spells to get men to fall in love with her. She played the role of Abigail Folger in Once Upon a Time In Hollywood. Didn't really recognize anyone else from the movie, but all the acting was serviceable. One of thems, one Laura Waddell, looks just like Chassie Tucker from At Home with Amy Sedaris, which is like my favorite show. Others include Gian Keys, Jeffrey Vincent Parise, and Jennifer Ingrum, if you've heard of any of them.

Watched this on The Last Drive-In with Joe Bob Briggs. It was his Valentine's Day special. He has a great interview with Biller. His drive-in totals highlight the six "wang doodles" in the film. Also talks a lot about how the movie is super colorful and looks so good because it was shot on 35mm film, instead digital. The last bit focuses on this crazy sequence near the end that involves a random renaissance fair and includes a mock wedding. It's out there... Again, love.

Really hard to pick an MVP in this since Robinson is so great in this role and Biller's vision is so well executed. Ultimately giving it to Biller for putting together such a fine and visually appealing film. Good shit. 

The Big Sleep (1946) is the greatest movie of all time

The Big Sleep. 1946 version. Great. Supposedly... But I thought it was sort of run of the mill. Just your typical beat-for-beat procedural detective flick. It is beautifully shot, interesting, and the ending is great. I think I was just expecting something a little more revolutionary. This is just fine.

Rotten Tomato Consensus: A perfect match of screenplay, director, and leading man, The Big Sleep stands as a towering achievement in film noir whose grim vitality remains undimmed.

Howard Hawks film. Bogie. Bacall, who is still alive! Second film together. The first, To Have and Have Not, also directed by Hawks, based on the work of Ernest Hemingway. The real life couple would do three more. The others, Two Guys from Milwaukee, Dark Passage, and Key Largo. This is supposed to be the best.  Based on the novel by Raymond Chandler, the first novel that features private detective Philip Marlowe, not to be confused with Sam Spade, the Dashiell Hammett gumshoe, the other hard-boiled detective made famous by Humphrey Bogart, with the William Faulkner working on the script. Lots of twists and turns. No one is to be trusted. Should love it but was sort of meh about it until the end. Liked it alright but got impatient.

That ending though. That was good shit. After we find out whodunit and what not, we get this big, isolated ambush scene but Marlowe gets the jump on the villain, Mars, played by John Ridgely, and at gunpoint makes him leave the house where his own goons await, ready to shoot the first person to come through the door. The scene is reminiscent of L.A. Confidential which that film obviously pays homage where Exley and White have their big gun battle out in an isolated bungalow.

Solid but not likely to make it past the next purge of my Plex server. Though it did get me interested in the Bogie's other work. Also, without this movie there would be no The Big Lebowski.

Edit: Oh yeah. 1946 is considered one of Hollywood's greatest years. I'm going to take five of Hollywood's best and look at several movies from those years and make the decision of which is top dog. Going to official announce what years I'll be looking at soon but I'm pretty sure 1946 is going to be on there. Tune in tomorrow for the other four.