Showing posts with label Lists. Show all posts
Showing posts with label Lists. Show all posts

Monday, May 15, 2023

The Ringer - The Rewatchables - Complete List - Text!!!

Searched Google for way too long and never found a good list of the movies they watch/discus on The Ringer's "The Rewatchables." Figured I'd just type it up instead of search for another however long. Current as of May 2023. Give me some love.

10 Things I Hate About You

25th Hour

The 40-Year-Old Virgin

48 Hrs.

8mm

Above the Rim

Adventureland

Alien

Alive

All the President's Men

American Gigilo

The American President

Any Given Sunday

Argo

Armagedon

Austin Powers (1997)

Back to the Future

Band Boys (1995)

Bad Boys (1983)

Basic Instinct

Batman

Beverly Hills Cop

Beverly Hills Cop II

Big

The Big Lebowski

Bloodsport

Blow Out 

Blue Chips

Body Heat

The Bodyguard

Boogie Nights

Boomerang

The Bourne Identity

Boyz N the Hood

The Breakfast Club

Brides Maids

Broadcast News

Butch Cassidy & the Sundance Kid

Caddyshack

Can't Buy Me Love

Cape Fear

Casino

Cast Away

Catch Me if You Can

City Slickers

Cliffhanger

Clueless

Cobra

Cocktail

Collateral

Coming to America

Commando

Con Air

The Conjuring

Contagion

Cop Land

Country Strong

Creed

Crimson Tide

Cruising

Dangerous Minds

The Dark Knight

Dave

Dazed and Confused

Dead Poets Society

Deliverance

Den of Theives

The Departed

The Devil Wears Prada

Die Hard

Die Hard 2

Dirty Work

Do the Right Thing

The Doors

Draft Day

Dunkirk

E.T.

Easy A

Edge of Tomorrow

The Edge

Enemy of the State

Escape from New York

Escape to Victory

The Exorcist

Face/Off

The Fast and the Furious

Fast Five

Fatal Attraction

Father of the Bride

Ferris Bueller's Day Off

A Few Good Men

Field of Dreams

Fight Club

The Firm

First Blood 

Fletch

Focus

Forgetting Sarah Marshall

Forrest Gump

Friday

The Fugitive

Furious 7

The Game

Get Out

Ghost

Gladiator

Glengarry GlenRoss

The Godfather

The Godfather II

The Godfather III

Gone Girl

Good Will Hunting

Goodfellas

Grease

Groundhog Day

Halloween

The Hangover

Happy Gilmore

Hard to Kill

Hardball

He Got Game

Heat

Higher Learning

The Holiday

Home Alone

Hoosiers

I Am Legend

The Ice Storm

Inception

Indecent Proposal

Independence Day

Inglourioius Basterds

The Inside Man

Insidious

Ironman

Jaws

Jerry MaGuier

JFK

John Wick 2

Juice

Jurassic Park

The Karate Kid

Kicking & Screaming

King of New York 

Knocked Up

Kramer vs. Kramer

The Last Boy Scout

The Last of the Mohicans

A League of Their Own

Legally Blonde

Lethal Weapon

Lethal Weapon 2

Limitless

Love & Basketball

Mad Max: Fury Road

Major League

Man on Fire

Manhunter

Margin Call

The Martian

Mean Girls

Memento

Miami Vice

Michael Clayton

Midnight Run

Miracle

Misery

Mission Impossible: Fallout

Moneyball

Mr. Holland's Opus

Mr. Mom

Mrs. Doubtfire

My Best Friend's Wedding

The Natural

Neighbors

New Jack City

No Country for Old Men

The Notebook

Ocean's Eleven

Ocean's Twelve

Old School

Once Upon a Time... In Hollywood

Ordinary People

Out of Sight

Panic Room

Parenthood

The Perfect Storm

Pineapple Express

Pitch Perfect

Plains, Trains, and Automobiles

The Player

Point Break

Predator

Pretty Woman

The Princess Bride

The Program

Project X

Proof of Life

Pump Up the Volume

The Purge

Rachel Getting Married 

Raiders of the Lost Ark

Rain Man

Ransom

Reality Bites

Remember the Titans

The Rock

Rocky III

Rocky IV

Ronin

Rounders

The Royal Tenenbaums

The Sandlot

Saturday Night Fever

Saving Private Ryan

Say Anything

Scent of a Woman

School Ties

Scream

Se7en

The Shawshank Redemption

The Shining

Shooter

Sideways

The Silence of the Lambs

Singles

Skyfall

Sleeping with the Enemy

Sleepless in Seattle

The Social Network

Speed

Spiderman

Spotlight

St. Elmo's Fire

Stand by Me

A Star is Born

Step Brothers

Stripes

Sudden Death

Superbad

Swingers

Taken

The Talented Mr. Ripley

Tango and Cash

Taxi Driver

Teen Wolf

The Terminator

The Terminator 2: Judgement Day

There Will Be Blood 

Thief

Titanic

Tombstone

Tommy Boy

Top Gun

Top Gun: Maverick

Total Recall

The Town 

Toy Story

Training Day

Trainspotting

True Romance

Unfaithful

Unforgiven

Unstoppable

The Untouchables

The Usual Suspects

The Vanishing

Varsity Blues

The Verdict

Vision Quest

Wall Street

Warrior

The Warriors

Wedding Crashers

What About Bob?

When Harry Met Sally...

While You Were Sleeping

Whiplash

White Men Can't Jump

The Wolf of Wall Street

You've Got Mail

Zodiac

Wednesday, July 17, 2019

Greatest Years In Cinema Project: The Films


These are the movies I'm going to be watching for Hollywood's greatest years. Five years. Ten movies from each year. A few extras by request. Look forward to these in the coming months.

Some notes on the lists. I made sure to have the Academy Award Winner for Best Picture, a comedy, a horror movie, a kids(ish) movie, and a sports movie. If a big name director had a movie that year, I included it even if it wasn't a great flick (Bringing Out the Dead [Martin Scorsese] and Death Proof  [Quinton Tarantino] for example). There are several notable exceptions to this rule (Ghost Dog [Jim Jarmusch] and The Straight Story [David Lynch] in 1999). Otherwise, just picked better films from that year I want to watch and write about.

1939

Gone with the Wind, Mr. Smith Goes to Washington, Ninotchka, Stagecoach, The Arsenal Stadium Mystery, The Cat and the Canary, The Hound of the Baskervilles, The Roaring Twenties, The Wizard of Oz, and Young Mr. Lincoln 

Missing the cut: Dark Victory, Golden Boy, Goodbye, Mr. Chips, Gunga Din, Of Mice and Men, Son of Frankenstein, The Women, and Wuthering Heights

1976

All the Presidents Men, Assault on Precinct 13, Carrie, Logan's Run, Marathon Man, Network, Rocky, Silver Streak, Taxi Driver, and The Little Girl Who Lives Down the Lane

Missing the cut: Alice, Sweet Alice, Bad News Bears, Silent MovieThe Omen, The Outlaw Josey Wales, and The Tenant 

1994

Above the Rim, Cemetery Man, Forest Gump, In the Mouth of Madness, Interview with the Vampire, Leon: The Professional, Pulp Fiction, Reality Bites, Speed, and The Shawshank Redemption

Bonus by request: Beverly Hills Cop III and possibly The Santa Clause

Missing the cut: Blue Chips, Clerks, Ed Wood, Hoop Dreams, and True Lies

1999

American Beauty, Any Given Sunday, Bringing Out the Dead, Election, Fight Club, Go, Office Space, The Blair Witch Project, Three Kings, and Toy Story 2

Bonus by Request: Deep Blue Sea

Missing the cut: Being John MalkovichGalaxy QuestGhost Dog, Magnolia, Man on the MoonSleepy Hollow, The Green MileThe InsiderThe Iron GiantThe MatrixThe Sixth SenseThe Talented Mr. RipleyThe Thomas Crown AffairThe Virgin Suicides, and Varsity Blues

2007

Death Proof, Hot Fuzz, Juno, No Country For Old Men, Ratatouille, Superbad, Talladega Nights, The Assassination of Jesse James, There Will Be Blood, and Zodiac

Missing the cut: 3:10 to YumaAtonement, Distubia, Eastern Promises, Gone Baby GoneKnocked Up, I'm Not There, Into the WildMr. Brooks, and The Simpsons Movie

Also, may end up revisiting some of those flicks in years with a bunch of films that didn't quite make the cut. Just gonna focus on these for now though. But feel free to make suggestions. Thanks for everyone that suggested a film. 

Thursday, July 11, 2019

Considering the best year in film


Ok. Yesterday I decided to start looking at various years in cinema and make some decisions on which is the best. After a lot of research, I've narrowed it down to five years: 1939, 1976, 1994, 1999, and 2007. Also considered were 1941, 1946, 1960, 1972, 1984, and 2015. When I started, I thought for sure 1946 was going to make the cut, which it did not. Going to watch several from films from each including at least one or two horror flicks.

This is sort of arbitrary and also why do we care? I like the idea of these movies coming off of very specific times where shit is going down but that only really works for 1939 and 1999. 1976 somewhat with Vietnam coming to an end. 1994, just sort of random. 2007, I guess we have the various wars on terror but they were old by that point and we weren't quite at the financial crisis. Some years, I guess, are just better than others and there is no real rhyme of reason to it. Or maybe there is. I'll let you know after my little experiment and after more research. 

So basically just doing this because. Crowning a year with this title based on my "expertise". Let me know if there are any movies you want me to write about from any of those years. 

Friday, May 22, 2009

Reasons Why I Hate Kate Austin of Lost


Last week’s season finale of Lost, The Incident, pissed me off through the one medium of the show that always pisses me off—Kate.  After getting past all the mystical shits and unpredictable events that always make up a Lost season ending episode, what you’ve got to notice is the predictable reactions from the show’s weakest character, Kate Austen.  In it I saw Kate fucking Austen being Kate—which is to say she was incredibly annoying and all acting like she knows what she’s talking about and generally slowing down the story and getting in the way and getting a more interesting character killed (although not so interesting in this episode)—and I don’t think I can take much more of her crap.  When the show ends, I have two things that must happen for me not to be seriously disappointed.  The first, previously mentioned, is that the real Locke had better be ruling the Island when shit comes to a close, and the second, is that Kate had better die. I am fed up with her whole sanctimonious, self-righteous bullshit—using her sex to get the shit she wants, slapping any number of men, just letting cooler people die, etc.—and I can’t wait for the show to hold its little tribal counsel and finally vote her off the fucking Island.  The only episodes of Lost I have hated were episodes that focused on her.  She’s manipulative and stupid and self-absorbed and boring and pointless and makes others around her seem like tools. It’s like she is Meg Griffin.  A while back I found someone’s assessment of Kate’s character which came in the following four phrases, which are spot on:

1. I’m pretty.

2. What should we do, Jack?

3. Shut up, Sawyer.

4. I’m coming along whether you want me to or not!

Yeah, Kate in a nutshell.  So with that finale, I am finally prompted to write out my Ten Reasons Why I Hate Kate Austen.  Here goes.

1. She’s Fickle- We can never be sure whom she is going to sleep with this week or how her sexual escapades will end up because she is constantly changing her mind about what the hell she is doing using her sexual allure as like a female executive trying to sleep her way to the top.  She makes out with Sawyer one minute and then beats him down with a suitcase or slaps him across the face or whatever.  Then once she gets off the Island she hops in bed with Jack and they were supposed to get married even, but she is sneaking around doing things for Sawyer.  When Jack gets all fussy and points out that he has repeatedly saved her and what not she says she doesn’t want him acting like that around her “son” and Jack utters a serious burn with “you’re not even related to him.”  Woo, ultimate face.  So now she hates Jack for speaking the truth and the wedding is off.  For Christ’s sake Kate, either pick Sawyer or Jack, quit bouncing back and forth to whichever one is more useful at the time.  She is always turning these leader types into heartsick idiots that she walks all over when she wants something.  She’s like a parasite befriending Sawyer for the shit he hoarded when they first crashed and then sidled up to Jack because he was the leader and saw the power of his position as her opportunity to be the Island’s Lady Macbeth or something.  It pisses me off that she keeps using everybody for her own personal gain and just keeps on lying to them to get it.  I pity the both of them for mainly just having to deal with her bullshit.  Next season, look for the reemergence of Skate (Sawyer + Kate = Skate) since Kate pretty much did nothing to help Sawyer help save Juliet (See Reason #2 for more on that), her competition, and hey hey, he’s now single again and Jack has sort of spiraled down the down the drain and lost his faith in humanity.  But maybe the existential Jack will grow on her.  Who knows with her.

2. Gets People I Like Killed (Or Seemingly Killed)- As hinted in Reason #1, she keeps on getting more interesting characters killed for absolutely NO reason whatsoever.  In the Lost time-line, the first death she was responsible for was that of her abusive father, which was justified I guess, but I don’t care about that.  Then came her childhood sweetheart Tom who she got killed when she was escaping from the law by busting through a barricade and he got hit by a bullet meant for her.  What does she do, nothing, she just leaves.  Again I don’t care; there isn’t anything of interest that has to do with Kate’s back-story.  But then once she gets on the Island is when the her getting people killed starts to drive me crazy.  There was the guy who was extraditing her back to the states who was dying anyway, maybe, and I assume Kate practically begged Sawyer to “end his pain” by giving him a quick death but only makes it way worse by shooting him in the lung instead of the heart.  Around the same time, she as well as Jack and Charlie let the pilot of 815 go walking around outside of the cockpit with the Monster making noises, failing to warn him that there might be danger.  He then gets eaten by the Monster and we later see him up in a tree all mutilated and all—yeah, I acknowledge this one might be a stretch, but the rest are not.  When they find Charlie in the jungle pretty much dead, having been hanged in a tree by Ethan, who was a serious bad ass, all she did was stood there and cried.  Way to help out, Kate.  Great effort there just standing there in the way and crying while Jack has to do everything.  But Charlie lived that near-death-experience.  Then there was the most infuriating one where she was supposed to go get Jin from the inside the freighter but instead stood around on the deck with her thumb up her ass.  Ten minutes after Kate was all, oh don’t go, Sun, you’re holding Aaron and pregnant and stuff, I will go get Jin for you, you get on the chopper, we see Kate finally try to go down into the freighter.  What was so goddamn important Kate, that’s what I’d like to know?  But Jack stops her saying something about him not leaving without her and they all look down at Jin as the ship explodes, again an inspired performance from Kate.  Way to make the extra effort there.  That made their flight back toward the Island pretty awkward.  So when Sun said to her old man, that she blames two people for the death of her husband and one of them was him, I figured the other one must surely be Kate for dicking around and not doing what she said she was going to do.  But frustratingly this turns out to be false and Sun and Kate are great old friends back on the mainland.  What the shit?  If I were Sun I would be pulling me some hair and punching the so called tough girl in the face instead of taking care of her stolen kid.  But Jin somehow survived, we think, but he could just be an incarnation of his form as the counterpart to the Locke imposter or something.  We shall see about that next season.  Then there was the death of my second favorite character (Locke being the first), Daniel Faraday, which she just let happen as she always does.  When Kate and Jack go along with Faraday on into Crazytown as he was about to go into the Others’ camp where he gets shot and killed by his mother, then pregnant with him, Jack was about to stop him but Kate was all “no Jack, don’t go.”  Thanks Kate, thanks for stopping Jack from ending the whole Infinite Jest-ish “the woman who kills you is always your next life's mother” thing.  Yeah, that was awesome.  Ugh, fucking Kate.  And then there was the season finale, when Juliet was dangling there above that electromagnetic hole with Sawyer trying to pull her up and Kate did what Kate does and just stood there.  Nicely done.  I mean did I expect anything more from her than to stand around awkward doing nothing when lives are at stake.  No, not really.  She was predictably unhelpful.  That bitch.

3. She’s Annoying- First, there is that whole bit about her trying to be the tough, strong, kick-ass-and-take-names female on the Island but then she does things like cry over a toy plane. Its like we get it Kate, you are a fugitive, but that doesn’t make you a hard ass.  Give up the act and stop making everyone’s life harder by trying to prove you’re a free spirit who doesn’t need anybody’s help.  Because Kate, if anyone does, its you.  Just stop.  Its getting embarrassing how everyone else keeps having to save you.  Also, she is ALWAYS interrupting people, suggesting that she feels what she has to say is way more important than whatever Hurley and Miles are saying.  What Kate has to say is rarely that important or interesting.  I can’t really remember any positive contribution she has ever made to life on the Island.  All she does is whine and lie and make a mess of things.  Its like to get anything useful or truthful out of her you have spend an entire episode twisting it out of her when she could have just said or done whatever in the first minute or so.  This is connected to another annoying fact about her, which is that she is a busybody, always butting into people’s business (like she did when she screwed everything up by talking to Ben’s dad) and asking about their pasts and all that but won’t say anything about hers.  When we finally figure out what she is doing it is always something really stupid, again I reference the goddamned toy plane, that really infuriated me.  I guess she did get some information out of Miles but that was only for her own personal gain (See Reason #4). 

4. She’s Unbelievably Self-Centered- She is unable to think about anyone but herself, ever, and is the most egocentric character in the show.  The only thing she really ever did was pull some bullshit con to take Miles to Ben but that was done only to get information about herself.   Always begging to be included and whining when being left out, she just has to tag along no matter who protests for whatever sound reasons so as to not to miss out on any of the action.  But she never follows orders so even when she is ordered not to come along, of course she follows the group anyway which always ends with her getting captured and her needing to be rescued thus ruining whatever mission the group is on.  Sneaky bitch.  She is a manipulative liar that lacks all empathy and care for others showing no conscience whatsoever in doing stupid things that she thinks she must do to survive.  Her megalomania is such that she couldn’t even get over herself when delivering Claire’s baby, Aaron, saying, “I’m scared too.”  Why is that do you think?  Maybe because she is a sociopath, I mean she does steel that baby later.

5. She’s Got The Worst Backstory- Her whole ridiculous pre-Island life was basically a way to give her character cause to whine for the entire run of the show.  It doesn’t make her look tough or anything and her flashbacks don’t really make any sense when you think about them long enough.  A fugitive from law being chased by the whole world it seems for blowing up some douchbag?  I think not.  I just want to grab her by freckled arms and scream “We get it, you’re a victim, you’re the way you are because your dad (that you thought was your step dad) beat your mom, but you blew him up. And instead of being grateful that you blew him up your mom betrayed you and still made you stand trial when you got back from the Island, but hey, she got over it and you didn’t go to jail.  Seriously, we get it.  Poor Kate.  Now stop bitching about it every other freaking episode, we aren’t going to forget it so you can stop reminding us all the time.” 

6. Gets Away With Everything And Constantly Whines- Which brings me to the obvious fact that she gets away with everything.  No one seems to care that she is constantly ruining whatever people are doing to better their lives on and off the Island.  She didn’t get in any trouble for murdering her old man, ducking the conviction by clinging to her stolen child and with the help of Jack and that incredibly dumb story he told in court that made her into some kind of a hero, which she isn’t, that was so lame and impossible it just made me want to throw up; no one lets the Others kill her for sneaking around when she should have stayed put; people defend her when her actions screw up their lives directly, as was the case when her erratic behavior tipped off Ben’s dad to the fact that she knew more about all that was involved in the shooting of little Ben than she let on, having Jack, Juliet, and Sawyer stick up for her, resulting in the end of Suliet (Sawyer + Juliet) and the comfortable life they had developed with the D.H.A.R.M.A. Initiative; etc.  She manages all this simply by putting on a pouty face (her only face) which affords her anything she wants.

7. Steals Babies/Screws up Children- Another thing she got away with was steeling Aaron away from the Littleton family to use him for all her emotional needs, for shame Kate.  How does the media not follow up on the apparent problems with the time-line/pregnancy stuff?  I think that would have been something that people would have noticed when they captured her.  In any case, Kate was well on her way on her mission to screw up a little kid before she finally did the right thing and gave Aaron to Claire’s mom while spilling the beans, as she always does, on the real story of Flight 815.  So when the blond lady who looked like Claire from behind appeared that she was running away with Aaron to live amongst the crazies or wherever, for a second I thought she would lose him, which would serve her right, and we would be rid of Aaron, at least for a while.  Yeah, he is a little kid… but he has to be the most irritatingly bad child actor ever, way more so than those Olsen twins on Full House, which is no small feet.  For a while I thought he had Down syndrome.   Every single time he says “mommy” or “juice box” I have to fight back the feeling that I am about the spill the groceries all over the couch and coffee table in the living room where I watch TV.  So why all of the sudden did she give Aaron over to an actual blood relative?  So she could basically watch him for a while as she goes back to the Island to find Claire and bring her back to raise her son.  Yeah right, she was tired of playing house like (in one of her painful-to-watch flashbacks) when she married Captain Hammer (from Dr. Horrible’s Sing-Along Blog) only to drug and run out on him when things got difficult. 

8. The Producers Have Serious Kate Love- Cassidy was right about Sawyer and his motivation for jumping off the chopper, the reason he deplaned in such a dramatic way wasn’t to save the woman he loved, oh no, it was to get away from the succubus that is Kate.  Yeah, Sawyer had the right idea.  Get a clue Lindeloff/Cuse.  Not even your own fictional characters can stand her.  But they have themselves some serious love for Ms. Austen.  

It would be great if they would get over her apparent hotness like everyone else and realize there is no use for Kate and kill her off which they won’t.  She’s a criminal with a heart of gold just like every chick in Brisco County Jr., Cuse’s first show, staring one Bruce “Jack of All Roles” Campbell, which is pretty awesome, yeah yeah, we understand that you love this type of female character…but this has got to stop already.  Jack, who seems more annoyed with her than anything else, was willing to go back in time and take incredibly drastic action by blowing up the Island either erasing the 3-years he knew her which she of course is against because that would mean her going to jail since her celebrity status couldn’t possibly save her or killing him.  Whatever happens, or doesn’t, its clear that Jack is hell bent on removing her from his life by any means necessary.  Her only merit was as one in a boring love triangle (or square I guess) that was the worst part of the show.  Any episode that focuses on her ends up sucking, therefore, they should have done the thing that talked about doing where Vincent had a flashback, which would have been awesome, I love that dog, but instead we got Kate overload.  Boo.  It isn’t so bad, I guess, that she is irrelevant as far as the story goes but the screen time she gets is unreal.  The episodes without Kate are almost always great but these are few and will probably disappear as the two camps, in 1977 and 2007, start to bridge the time gap.  Like that kid in your neighborhood growing up that was an asshole and everyone hated but always found out when and where you were hanging out or the guy trying too hard to get laid at a party, Kate never goes away.

9. She Lacks Self-Awareness- This, I think but cannot prove, is one of the reasons her mother hates her.  First of all, she killed her dad because she could tell her mother really loved him and took it upon herself to end the relationship.  Of course she didn’t see her mom turning her in coming because she can’t tell what people think of her.  All she sees is this persona she has constructed and follows that without looking back, ever.  On the Island, she believes her place is that of a strong semi co-leader instead of the wimpy, annoying, crying waste of space she really is.  She has always been weak link of the show/the Islanders with her whining and inability to make a rational decision for herself basing her actions on her unreliable emotional state at that exact moment.  It’s like she never developed the ability to look at the facts as they are when doing something and not just follow her impulses.  That is probably why she can’t help but jumping into bed with Jack and/or Sawyer seeing as how she can’t really function without a man around to manipulate first, including stolen baby Aaron.

10. Fucks Everything Up- This is her main problem, this constantly turning things into shit for everyone while offering no help in fixing things.  Usually the Losties are correcting some mistake she made or was in some way responsible for while she just sort of stands around all pathetic.  When she didn’t cause whatever new development, she is more than likely working on her own agenda that opposes what the majority has decided is right.  The most predictable part of Lost is that Kate will defy everyone with her ridiculous horseshit and do what she wants consensus be damned.  Like when Kate, in her ever-stupid-way, rushes to save the young Ben that Sayid tried to kill in order to spare their past selves that are confusingly in the future from the manipulating maniac he grows into.  Pretty much everyone agrees that Ben’s death here would be a good thing and they should just let him die, but oh ho, not Kate, who doesn’t think any child should die, after all young Ben is a victim too.  Not even if you know that he’s eventually going to kill a bunch of your friends, the entire D.H.A.R.M.A. Initiative, and a bunch of people who may or may not deserve it, not to mention tried to take the baby you rightfully stole and then telling those incredible lies that is just one series in a long and proud career of manipulation that gets you and the few friends that the adult version of this dying kid has yet to kill trapped-once again-on the this crazy patch of land that happens to be a time machine to boot that you flings you back some thirty goddamned years in the past.  Really Kate?  Fucking really?  Well, if anyone were to snatch away the hope that Sayid gave them by nearly de-mapping some asshole little kid who grows into a mass-murdering genocidal maniac, it would have to be Kate.  

Sunday, April 26, 2009

Ten Movies That Could Kick Your Ass

Earlier this week, Sara, the female companion, let it be knownst that she had gone 26 empty years without seeing Die Hard.  

"What's that?" she said.  

"You have got to be shitting me!" I replied.  "It is literally the best action movie of all time."

"Nf-kay, literally the best action movie of all time, whatevs."

So she Googled the phrase "best action movie ever" and a bunch of lists came up.  #1 on each of which was in fact Die Hard.  Score one for me.  Face.  I am so smart.  Now that I proved I know my action flicks, I am compiling a list of  the "Ten Best Action Movies Ever" in hopes that I can con her into watching them (although everyone should) which is sort of a feet considering the first three movies I got her to watch (The Rules of Attraction, A Clockwork Orange, and Blue Velvet) all feature disturbing rape scenes, thus to her my taste in film is a bit suspect.  Yeah, well.  Here goes it.

10. Ronin- Best car chases ever.  Makes Bullit and The French Connection look like Driving Miss Daisy.  None of that CGI crap either.  De Niro and Jean Reno are both kick ass and the movie gets its title from the bushido since of the word.  Highly underrated.

9. Kill Bill- From start to finish, there isn't much time when ass kicking isn't taking place.  Super violent, super bloody, super hot.  My personal favorite fight scene is the one between Beatrix Kiddo aka Black Mamba aka The Bride and Gogo Yubari (played by one of the kids from Battle Royale, #8 on this list).  In short, this movie rekindled my desire to become a samurai.

8. Battle Royale- Nothing says kick ass like a bunch of children fighting to the death.  When I taught at that New England boarding school, BR infiltrated the school in all its forms--the novel, the film, and the graphic novel--with one copy of each floating around and planting the seeds of violence into the young impressionable minds.   Eventually it got to the point where everyone was scheming who they would kill and who would be most likely to win if there were a school-wide-every-kid-for-him/herself-there-can-only-be-one-melee-of-death.  (My money would have been on a tough little South Boston fucker named Ryan Cunnif.)  Don't let the fact that this film is set in a dystopian society fool you, the only political statement this film makes is that children will fuck or kill anything in their way and sometimes do both.  This flick is pure carnage.

7. Leon: The Professional- The first non-horror R rated movie I can remember seeing in the theater unsupervised, there will always be a place in my heart for this movie about killin.  The Professional also marks the first time I had ever seen Natalie Portman and never was my lust for her as controlling as it was when I was 10 after watching this movie.  After her family is killed by a psychopathic Gary Oldman, that is to say the typical Gary Oldman character, Portman becomes the understudy of hitman, i.e. cleaner, Jean Reno who takes it upon himself to give Oldman and his henchmen what's coming to them.  The film is actually quite touching.

6. The Good, the Bad, and the Ugly- Best theme song ever, whenever I do something awesome I will hum it.  So many things to love about this movie that it is hard to pin down any one thing that makes it so great.  But its Clint Eastwood.  Sergio Leoni too can pretty much do no wrong.  A historical western that is also a tale of redemption.  What can be better than that.

5. The Terminator/T2- If there is one thing I have learned from science fiction, its that Artificial Intelligence is bad.  No film series has ever illustrated this more so than The Terminator.  AI is all powerful and doesn't have things like a conscience getting in the way of taking the shit that it wants.  We create this supreme being and then we lose control of it.  We try to destroy it but shit AI is way too smart for that.  So there is some little group of human holdovers trying to claim back the earth.  Ha, they build shit that is stronger and tougher than anything humanity's got and it never stops coming.  It was Mr. Universe for Christ's sake.  It is the perfect killing machine--its like Jaws, the mummy, and Jason Vorhese rolled into one.  When they don't win immediately, what do those crafty machines do, they invent a time machine to go back and kill the leader of the insurgence mother before he has a chance to even give the renegades hope.  Doesn't exactly seem like the machines are playing fair but they don't care, they don't give a fuck, they are machines and they are a coming.  The Terminator teaches us to prepare and act accordingly.

4. Raiders of the Lost Ark- Dun-da-da-dah, Dun-da-da-dah, Raiders of the Lost Ark was revolutionary, here you have this Doc Savage type guy who goes on mysterious quests for lost relics.  I can trace my educational decision to study medieval literature and religion back to the Indiana Jones trilogy.  The films mix all the coolest stuff about history, religion, anthropology, and what not into one bad ass dude set in one of the most interesting times since the French Revolution (WWII).  An unexpected perk of this little diddy is that you actually learn some pretty awesome shit along the way while Indy fights with the snakes and the whatnots.  

3. Predator- This film oozes machismo.  Staring two U.S. Governors (Jesse "The Mind" Ventura--formerly of Minnesota--and Arnold "The Governator" Schwarzenegger) Predator follows an elite band of mercenaries who go from kicking ass and taking names to being hunted by a giant, invisible, bulletproof, skull collecting super alien with laser capabilities and dreadlocks.  When Arnold inevitably immobilizes the beast, proving once again he really is Mr. Universe, what does the Predator do? does he go out like a woose?  Hell no.  Rather than give even Arnold the satisfaction of capturing him alive, he opts to detonate a small atomic devise that takes out miles of rain forest.  There is not a single moment from start to finish that isn't testosterone pumped manliness.  

2. Unforgiven- "Don't you go cut up or otherwise harmin no whore, or I'll come back and kill every one of you sons-a-bitchs," maybe the greatest closing lines to a movie ever.  Don't be fooled, this is a moral fable--Henry James type stuff here--didactically teaching its views that bad ass, alcohol does one make.  When we first see Eastwood's character William Money, he is a shell of the former cold-blooded-killer he used to be in his youth having turned away from the bottle for the love of a woman.  Ah, romantic.  But after she kicks the bucket, there is no one around to teach him the error of his ways.  So after some assholes kill his BFF, he starts getting liquored up again and the killin naturally comes back with a vengeance.  I'll see you in Hell William Money.

1. Die Hard- John McClane, Die Hard's protagonist, is the American James Bond.  Where 007 has his gadgets, McClane has only his will.  Where 007 is suave, McClane is on the verge of divorce.  Bond's clean cut, McClane has a five-o'clock-shadow and never baths.  Things like this go on and on.  McClane is a drunken maniac who does what he's gotta do and he does it while being an ass and he always manages to say something cool when he blows the bad guy away.  Where some would use caution or moderation, McClane swings down onto a boat via crane and blows up the fucking building.  That is why John McClane is an American hero and Die Hard is genious.  Yippy-ky-yay mother fucker.

Fifteen more movies that are all about ass kicking: Enter the Dragon, the Mad Max Trilogy, Star Wars, Speed, Saving Private Ryan, Fists of Fury, The Matrix, Troy, Action Jackson, Rambo, Lethal Weapon, Gladiator, Ghost Dog: Way of the Samurai, The Dark Knight, Sin City

Thursday, October 30, 2008

Top Ten Horror/Halloween Related Movies

Compiling this list, I tried to make it as accurate, yet original, as I could. Upon looking at several other lists, I discovered that most of these can be seen on most critics lists as well as the definitive 100 Scariest Movie Moments which aired on Bravo in 2005 and has been the regarded as the list to end all lists of the movie genre. Much like AFI’s list has its place in the back of minds as the authoritative source for the greatest works of film, the Bravo segment has put our horror in an ordered set that proves conclusive. With that said, this list is not simply a scary movie list, this has to do with the horror genre for the most part yes, but not all of the these flicks are horror outright. Many of them aren’t scary at all in their over the top ridiculousness and some of them are actual comedies—one of them isn’t even a movie. Thus I defend my picks as being anything but another, alternate list to refute the picks made by whatever selection committee Bravo employed to compose their choices. As always, comments are appreciated, so tell me what you think of the little list I have composed here, and let me know if you have anything to add about any of these films or you would like to recommend your own.

The Evil Dead Trilogy- What can I say besides Bruce Campbell is a God among men. The film “Bruce Almighty” in fact was actually a screen adaptation of BC’s life. One of the coolest things I have ever heard was a kid I knew who claims to have hooked up with Bruce’s daughter and afterwards he said “you know what’s really great about this? Your dad is Bruce Campbell!” That did not go over well, as the story goes, but everyone was in agreement that that was the only appropriate thing to say when such a thing happens. I mean who doesn’t love/idolize a guy who writes books titled If Chins Could Kill and Make Love the Bruce Campbell Way? These films are a fist full of “boomstick” and should not only be watched but studied for all those who think Z-Day is coming or who just want to see the manliest of men kick Deadite ass and look extremely cool while doing it.

The Exorcist- The last movie I watched that totally scared the shit out of me. I went to see it my senior year of high school with my lady friend at the time who was extremely averse to watching it. I told her something like “I’ll be here to protect you baby” or something like that. And for the most part I was, but when Linda Blair, in full getup, climbs down the stairs in the way that she does, which I could never accurately put to words, it really must be seen to be appreciated, I was petrified. I could then understand why people fainted, vomited, and ran out of the theater screaming when I saw that incredible scene on the big screen. I couldn’t look at the stairs in my basement where my bad faced them for weeks and slept on the couch upstairs it fucked with me so badly.

Event Horizon- Rented the film thinking it was going to be a rip off of Star Trek and/or Alien and would involve a bunch or space/science fiction stuff that I was used to. Thus I was completely unprepared for how freaky and terrifying this movie really is. I have talked to many people about this movie and all of their reactions are ultimately the same, saying something along the lines of “that was the scariest fucking movie I have ever seen.” And with the exception of The Exorcist, I would say this film staring Sam Neal and Lawrence Fishburn is, surprisingly, one of the scariest films ever made. Traveling into other dimensions that are thought to be pinnacles of human achievement, they actually open up a gateway to hell, I know it sounds cheesy but you have no idea how chilling this movie really is until you watch it and are paralyzed with absolute fear.

Halloween 1 and 2- October wouldn’t be complete without at least one viewing of each of these two John Carpenter films. These archetypal slasher flicks really should be watched together, but never watch 2 without 1. Many of the critiques that caused the second film to be so much less popular hold true—stuff like it not making any sense if you haven’t seen the original (as with any horror sequels I feel), the plot being absurd, full of cheap thrills, etc. But when viewed together, the second one has a charm that one has to like in films where upwards of a dozen young people are brutally murdered. Plus it provides conclusion which you don’t get with the first one. Though don’t even bother watching any of the ones that follow. They just aren’t very good. (Rob Zombie’s remake isn’t too bad either btw, and for someone who grew up on these flicks, there are a bunch of little nobs to original franchise. One of note is that Danielle Harris, who I sort of had a little thing for when I was a child based on her staring roles in Halloween 4 and 5, returns to the series in the role of Annie Brackett, protagonist Laurie Strode’s best bud. Malcolm McDowell takes over Donald Pleasence’s old role as Dr. Loomis, another little perk that may make this little diddy worth seeing.

In the Mouth of Madness- Another Sam Neal staring role, as well as a John Carpenter film, this 1995 film might be the director’s most chilling work. In this horror flick, a best selling author goes missing while he still churns out creepy work. Neal then goes on the hunt to find the author and ends up in one twisted town that turns out to be some kind of Hell where the books play out in real life. While staying in this hell-hole, he finds that whoever reads the book goes completely and violently insane. With people assuming he has gone mad, he is tucked away in a mental institution while a film version is in the works with anyone who watches again being instantly transformed, and considering the mass appeal and easy access to the film, the work of fiction is ready to alter the outcome of civilization.

Re-Animator- As you can probably already tell, I love myself some absurd, over the top zombie flicks and this one is right up there with Army of Darkness as being the best of the best. This is a bizarre, low budget film, that is as gory as it is darkly funny. For example, an asshole doctor who has been decapitated, carries his head around and after he ties up his colleague’s daughter, one of his student’s who is romantically involved with the medical school’s prized student, he takes the severed head and attempts to perform oral sex on the girl in the film’s most infamous scene.
Abbott and Costello Meet Frankenstein- Bud Abbott and Lou Costello team up with horror greats Bella Lugosi (the quintessential Dracula), Lon Chaney Jr. (the timeless wolf-man), and Glenn Strange (after Boris Karloff gave up the monster role afraid he was being typecast, it was Strange who would go on to star in half a dozen or more Frankenstein roles) in this monster movie spoof that was kind of a farewell to all of these great stars from the genre’s golden age. At times hilarious, even by today’s standards, it is another over the top monster movie which without would leave my list incomplete.

Scream- My favorite “teen scream” of the 1990s, this came out just when I was about to enter high school and I loved it. A bunch of hot little things running around being chased by a masked butcher sporting THOs, it was great. It also paid tribute to all the slasher flicks that came before with a horror encyclopedia incarnate. As a trilogy, Scream left something to be desired, although all three were alright in their own little ways, the original was clearly the best and the only one I will more than likely watch this Halloween season.

Silence of the Lambs- It rubs the lotion on its skin or else it gets the hose again.

The Blair Witch Project- The first time I saw this, during the summer of 99 at Tibbs Drive In, where I spent more time and energy making out/getting it on than I did watching the movie, I ended up in the concession stand buying hamburgers and nachos and missed the beginning part where it was explained that the serial killer guy would make one of the kids face the corner while he killed the other one. The girl I was with at the time also missed this bit of information although she stayed back in the car watching the movie. So when I saw the end, with that guy in the corner being the last thing we see before the camera falls to the ground and we hear screaming, I didn’t get it. I remember thinking something like WTF that does not seem like an appropriate time to just whip it out in the corner and start taking a piss, this movie sucks and is not scary, people, why are going to see this stupid, stupid movie. Then a year later, with a new gf, I was forced to watch the film I had put way out of my mind. I didn’t remember anything about it when I rewatched it on Halloween 2000. After viewing it that time though, I got why it was so goddamn scary and what all the hype was about. Good show.

Fifteen Notable Mentions: Nosferatu; Rosemary’s Baby; Psycho; Hell Raiser; The Omen; Vacancy; The Vanishing; The Howling; The Others; Thriller; A Nightmare on Elm Street; The Hitcher; House on Haunted Hill (1959); The Last House on the Left; Jacob’s Ladder

Saturday, September 20, 2008

My Limited and Biased Top 50

I will say that list is more like the 50 books that had the most profound and lasting effect on my rather than a favorites list per se. The common denominator here with these books is that I read each and everyone of them at a time that I felt they were needed. Some of these books have become less and less significant as a piece of my world but nevertheless are still in some ways near and dear if only for nostalgia. Some of these books listed had an embarrassing amount of sway when I was younger and now I sort of wonder how. But my memory for things is ridiculous so even if I would wish to forget the fact that some of the books that really got me passionate about reading I can barely get through a few pages of now—every Stephen King book on this list would be an example of that—which comes with more mature tastes in literature as well as life experience. Another few oddities that I am sure have to do more with who I was when I read them as opposed to who I am now are books that I have read multiple times and either surprised me at how I hadn’t liked it so much the first go around but rocked my worldview with another inspection but the reverse has also been true a couple of times. An example of the latter that is still very fresh in my mind since I finally got around to rereading it after tracing it back to more or less the instant I decided I wanted to major in English and write for a living instead of doing something I would have hated. This book is that of Fahrenheit 451 which just about caused my head to explode as a sophomore in high school but when I read it again after living ten years and a couple of months, in which time I changed schools from the crappy public school that made us read it, to the dream-come-true-those-kids-are-so-lucky-to-go-there private school across town (praise the Lord I had an outstanding jump shot and an ability to de-cleat kids with extreme prejudice); went to a good college I never would have thought about going to had I not an absurd affinity for books; taught at a high school where I pushed postmodern literature on my kids to get them to care about books as I do, some of whom at least tell me that my strategies worked; went to grad school at another good school and read and read and now I write professionally (among other things). But last week when I read Bradbury again, I found his work to be pretty juvenile. So it goes I guess, but I think that was the start of my interest in “serious fiction” so it has a higher spot than I would at first want to place it because I try to take a book’s impact on my person as a whole from childhood until another one come along to drastically alter the way I see the world. Some of my selections aren’t even real books either, some are poems and plays and oral histories record much later. Others, like the Bible for instance, I have left off because I am not sure as to the extent it has over my being because it is interwoven into the American fabric—for good or bad I am not going to judge—and to include it is sort of a cop out eliciting basically a “no duh” when someone responds to my questions directed at knowing them better. That said, here it goes.

1. The Divine Comedy
2. Infinite Jest
3. Paradise Lost
4. The Canterbury Tales
5. Fahrenheit 451
6. King Lear
7. The Stranger
8. Macbeth
9. Hamlet
10. The Everlasting Gospel
11. Consider the Lobster
12. A Portrait of the Artist as a Young Man
13. Lord of the Flies
14. The Life and Times of Michael K
15. The Aeneid
16. The Brothers Karamazov
17. Beowulf
18. Death Be Not Proud
19. The Corrections
20. A Clockwork Orange
21. As I Lay Dying
22. Brave New World
23. A Confederacy of Dunces
24. Bhagavad-Gita
25. To the Lighthouse
26. Waiting for the Barbarians
27. How To Be Alone
28. Timbuktu
29. The Catcher in the Rye
30. White Noise
31. The Magician’s Nephew
32. The Book of Illusions
33. The Medium is the Massage
34. Mr. Vertigo
35. Crying of Lot 49
36. The Iliad
37. The Hobbit
38. Ulysses
39. A Supposedly Fun Thing I Will Never Do Again
40. You Shall Know Our Velocity!
41. Catch-22
42. Slaughterhouse-Five
43. Doctor Faustus
44. Things Fall Apart
45. A Farewell to Arms
46. Billy Budd
47. An Enemy of the People
48. The Grapes of Wrath
49. Darkness at Noon
50. The Green Mile