Saturday, October 12, 2024

31 Days of Halloween: Second Chance Night: Ginger Snaps: A Tale of Teenage Transformation

Ginger Snaps - John Fawcett - 2000 


★★★-Day 12 of the Nightmare on Film Street  31 Days of Halloween Horror Challenge. Second chance night. Like it more than my first watch like 20 years ago. But I’m still not a huge fan. It's just fine.

Gist is two teenage sisters, Ginger and Brigitte, are obsessed with death and are kind of outcasts in their suburban high school. Ginger gets attacked by a werewolf and shit starts getting weird between them. You know, Ginger becomes more violent, both physically and behaviorally unrecognizable, and Brigitte searches for a way to reverse the werewoof curse. Clever title, ya dig? This all while navigating the dangers of adolescence, family dynamics, and such. Explores themes of puberty, identity, and the monstrous feminine, blending body horror with dark humor.

Emily Perkins as Brigitte and Katharine Isabelle as Ginger. Perkins I mostly think of as Bev Marsh from the 1990 It. Isabelle pops up here and there in mostly horror. She was the star in American Mary, played teen fodder in Freddy vs. Jason, and even appeared in a lesser Nolan film with Insomnia.
 
Others you may recognize include Kris Lemche as a drug dealing werewoof expert. He was in Final Destination 3, the one with the roller coaster, and shows up pretty frequently on the electric teevee machine. 
 
Mimi Rogers plays the mom. She famously introduced Tom Cruise, her husband from 1987 through 1990, to Scientology, which she left after the divorce. Looks like her and David Miscavige fucking hate each other and she’s on the Scientology naughty list, considered a “suppressive person.” Good for her. 

Jesse Moss plays a douche bro who gets turned. Was just writing the other day about Tucker & Dale vs Eviland saying haven’t seen him in anything else, though he plays a convincing prick. Of course, I randomly watch a movie with him in it the next day. 

Directed by one John Fawcett. He’s worked steadily since the early 1990s, directing mostly episodes of TV, most notably a huge chunk of Orphan Black. Film-wise, he’s mostly known for this flick.
 
Something funny is that the sisters are doing some art project where they stage suicides and photograph it. My theme for AP Art Studio this same time was suicide. Still have a few of those pieces from high school. One is a self-immolation. Another is the old death by hanging with a belt. I wasn’t a particularly dark kid but have always wanted that to be an option for people. 

Reminded me of sex ed from elementary school. How women have periods while dudes have nothing seemed infinitely unfair to me. “You mean women go through this traumatic experience every month for 30 to 40 years? Do men have anything like that. No. Crazy.”

Anywho, the flick wreaks of Canada. Canadian horror can be pretty fun. Pretty niche blend of psychological tension, atmospheric dread, and dark humor. There is the country's vast, often landscapes, lending itself to themes of isolation and identity. Emphasize slow-building tension, cerebral scares, social anxieties, fears of transformation/otherness. You get the idea. Usually can tell if a film is Canadian within a few minutes. There is an old joke, is this the United States 10 years ago, or Canada today?
 
Lot of dead dogs. Now I remember why I didn't like it as this is a great way to turn me off. Poor Baxter. Rest in peace, Norman. On the other hand, if you are going to keep a dog chained up, go fuck yourself. But, yeah, too much dead dog. 

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