Slanted: The things you do to become the promcoming dance queen

★★★—Watched this last night at AMC Scream Unseen event. If you love Mean Girls and body horror, then you’ll probably like it. First off, there is a character named Cat Fisher, which caused me to audibly groan when her name gets said at the climax of the movie. Not where you want to be watching a movie when the shit starts to go down.

However, for an ok movie, this really disturbed me, and I’ve been thinking about it all day. The idea of completely changing who you are externally is nothing new. Hell, some people do it IRL. But this transracial concept is extremely interesting. Sort of touches on a lot—assimilation, belonging, beauty standards, race—and it’s heavy with metaphor. But it all felt a little obvious/shallow. Just sort of throws these ideas out there without any real emotional payoff, with a few exceptions, notably when the parents celebrate 10-years in America while their daughter goes to the big promcoming dance, which she is absolutely obsessed with. I get that maybe some kids do care about such things, but it is such a trope at this point that you really must do something extraordinary to subvert it. I feel that it had potential there but didn’t get over the hump. 

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That said, the performances were flat out stellar with the females being especially strong. Shirley Chen and McKenna Grace (just saw here in Scream 7) take turns as the lead. Both knock it out of the park. Vivian Wu plays the mom, who maybe stole the show. Maitreyi Ramakrishnan from Never Have I Ever is very good. Then there was Amelie Zilber, the alpha mean girl from the high school. She basically IS Regina George. Except hotter and more of a bitch. Good god she is fine. Kind of reminded me of Mia Sara. Her character was flat AF though with no emotional payoff. She is just kind of there, being horrible, and then suddenly not. 

Overall, the tone might be the biggest problem. In immigrant teen satire territory at times, but then with disturbing body horror thrown in making it not funny. Then it ventures into heartwarming, coming of age with a deformity with a meh, lame, run-of-the-mill ending. Result is some ick/WTF, and a feeling like maybe director Amy Wang either lost creative control and/or focus at the end.