From Deep: A doc about basketball and hip-hop

★★★--A basketball documentary. I’m a sucker for a basketball doc. In three parts. The first two parts were better than the third, which sort of went off the tracks. First part was a history of basketball and it’s connection to the black community. Second was hip hop’s roots and how it has always been intwined with the game. 

The third had the most potential and still requires the most thought and scholarship going forward. But it was also the most confusing, getting lost in the point it was trying to make. I think it was arguing that professional basketball players deserve more rights and to choose their employers via free agency without getting a bunch of crap. It also talks specifically about how the economic chasm between player and fan has never been greater. Just of sort of throws that out. 
 
Also gives a little bit of an apology for the LeBron James’ “Decision” from 2011. That’s when he had a television special to say he was leaving Cleveland. People I know from Akron and Cleveland are very protective of him, which is cool as I think he is a truly good dude. Tis true of him ass a teammate, father, politically active famous person, and so on. So I like what the doc says there, that the NBA and the city were making Lebron into a savior, which was unfair. It also talks some shit about Michael Jordan for being a corporate man in never taking a stance on anything political so he sells more Nikes, McDonalds, Gatorade, so forth. Jordan, that prick, did famously say “Republicans buy sneakers, too.” 
 
Overall, good but flawed and not super clear. Plus he sort of gets into dangerous territory when talking about African American culture for a weird looking Canadian. 

The Housemaid: Good for her

★★★★--Love a good bitty-driven erotic thriller. Kind of hot at times. Hard to watch at others. Still glad I saw it, and it’s still out in theaters, which seems like a good sign. 

Amanda Seyfried Is pretty amazing. Sydney Sweeney and her “good jeans” are smokin’. Directed by Paul Feig who does a lot of random TV, created Freaks and Geeks (which I love), and directed Bridesmaids (one of the most hilarious movies of the 2010s). He’s competent. Don’t think I really care for the male lead, one Brandon Sklenar. He’s 0-for-2 in the last couple months with another wooden performance in last year’s Drop.
 
Has some Single White Female/Hand That Rocks the Cradle vibes. It’s a lot of fun though predictable and not everything makes a whole lot of sense. One of those good-for-them flicks.

Send Help: Raimi's still got it

★★★★★--Super early yet, but this is my favorite film of 2026 thus far. Sam Raimi makes one hell of a horror movie. No one does splatter and gross-out humor like him. And he keeps you guessing. This movie was fun as shit. Go in knowing just what you see in the trailer.  
 
Caught Raimi's three common easter eggs in all of his movies ("The Classic," the Evil Dead necklace, and Bruce Campbell). Most of the time they are pretty easy to spot. I was sort of surprised I saw all of them in this flick as I'm not very observant and these were somewhat well hidden.  My favorite of the three was the Bruce Campbell portrait in the son's office. 
 
Anyway, yes, this is the ultimate "good-for-her" flick. No character is a true hero or villain in any Raimi movie, even the superhero ones. Such is the case here to the extreme. For example, the male lead, the POS CEO played by Dylan O'Brien (he is mostly thought of as the guy in those Maze Runner movies) is comically unlikable. Every time you think he is actually alright, then he comes back extra douchey, practically screaming "fuck you for thinking I'd change!" But you understand why he is that way and sort of feel for him in the end. 
 
Rachel McAdams is always fantastic, but is all-time here. Surprisingly does a pretty good job of making her kind of gross early on, but she's smoking by the time she is on the island. Doesn't surpass Regina George, but the woman has range. I'm sure this will go down as one of her most memorable performances.

Push: Evading a supernatural killer while having a baby is what Republicans think abortion is

★★★--Tense home-invasion having a baby while evading a killer movie. Really ups the ante here. Some memorable shit goes down, which the flick definitely has going for it. There are some good, scary scenes, most notably one featuring an elevator. 

 

Directed by David Charbonier and Justin Powell (they directed The Djinn together a few years back), and starring Alicia Sanz and Raúl Castillo (never seen either of them before but they were solid). It was alright. 

 

I was crazy about it until the third act. Becomes a real bummer of a movie at that point, and maybe goes supernatural. The end also implies that the survivor girl and her baby actually die and the killer is out on the loose. Then it all could have been a dream. Pretty obnoxious.

Presence: Soderbergh offers fresh take on the haunted house genre

★★★★--Told from the point of view of an unseen spirit, the film was really interesting and fresh. Takes the familiar haunted-house setup and gives the audience this intimate experience. We are inhabiting the ghost’s perspective as it observes a family unraveling. Good stuff. 

 

Lucy Liu is the only real star. She is still great and looks as good as she ever has. Julia Fox, the woman from Uncut Gems with hella ass, makes a brief appearance. Chris Sullivan, who plays the dad, I’ve seen around. He also delivers a strong performance. I see he and I are the same age… The kids, Callina Liang and Eddy Maday, are better than fine. 

 

Steven Soderbergh is so good with restraint. Turns the new family home into a space of tense, unspoken trauma. This meditative, unsettling thriller that lingers. Even made me pretty emotional. So many bangers from that guy. For whatever reason I don’t think he gets talked about a whole lot, but dude always brings it and is crazy prolific. I will see any movie he makes as long as he is making them. 

Neighborhood Watch: How much Jack Quaid can you handle?

 

★★★★--Jesus, how many movies was Jack Quaid in last year? This one was pretty fun. Low budget regular Shmo‘s thrown into an investigative situation. My kind of flick. has some flaws. Gets a little off track at some point. But rights the ship in the end. Reunites Jeffrey Dean Morgan and Malin Ackerman from Watchmen. Sort of funny because of Quaid and The Boys. I really like all three of those actors. Directed by one Duncan Skiles. I’ve seen and liked two of his three feature-lengths, the other being The Clovehitch Killer. Not a bad flick.

Stargate: A foray into 90s CGI

★★★★--Scanners meets Micky 17 with teleportation. When I saw this in the theater in 1994 as a child, I thought that we had reached the pinnacle of special effects. The CGI sucks. I was an idiot! Pretty good movie though. And like nothing I'd seen at the time. To quote the Comic Book Guy from The Simpsons, “Of the four star franchises, 'Wars,' 'Trek,' 'Gate,' and 'Search,' 'Gate' is easily my third favorite." 

Kurt Russell and James Spader are both solid and fun. Jaye Davidson from The Crying Game, if ya know, ya know, plays the alien dude. Directed by Roland Emmerich, the so-called "master of disaster" for being the go-to the-world-is-literally-falling-apart-guy. He's maybe  the biggest directors that isn't a household name. His films include Universal Soldier, Independence Day, the maligned Godzilla (1998), 2012, White House Down, Independence Day: Resurgence, and Moonfall, among others. According to Wikipedia he is the 17th-highest grossing Hollywood director of all time, which is nuts. 

Brick: Early Rian Johnson neo-noir holds up

★★★★--Joseph Gordon Levitt and Rian Johnson team up. Was crazy about it when it came out. Holds up. Love neo-noir with the hard-boiled dialogue, the seedy characters, the femme fatale. Especially into it when the person investigating is just a normal shmo. Also, if it’s high school. Those seem to have been super popular around that time. I feel it goes from being all right to pretty good to great by the end. My complaint is that it could be tighter.

Top 10 of 2025: 1. One Battle After Another

★★★★★--Paul Thomas Anderson making a movie based sort of on a Thomas Pynchon novel staring Leonardo DiCaprio and deals with stoner/leftist politics and offers a little bit of hope. Was this made for me? To quote Bludo in the flick, “yeah, kinda.” 

How was it? Loved it. Easy favorite of the year. Hell, this is in the running for my favorite movie of the century. In the company of Mulholland Drive, There Will Be Blood, Once Upon a Time… in Hollywood, Mad Max: Fury Road, and Zodiac. 

Watched it back-to-back the first and second time it played. Theater was packed in both. Saw it again a week later, and then once more in IMAX. The only movie I’ve ever seen four times in the theater. Went as Ghetto Pat for Halloween even. I absolutely adored this movie. Anyone who didn’t is a loser and probably MAGA. 

Speaking of, the Thomas Pynchon novel it’s based on, Vineland, which I love, was a critique of Regan policies and the hippie movement. This is also a critique of right-wing BS but mostly has to do with white supremacy. Also, way more accessible. I did watch a few winger reviews. Lot of bitching about Hollywood being woke, PTA being overrated, and them not getting laid. They called it propaganda and said it glorified violence. Cry me a fucking river. Obviously probably not going to like it if you are on the right side of the political spectrum, i.e. a piece of shit, but this movie doesn’t give a shit about you, so fuck you, Nazi. 

Stellar acting. Easy to do a lot with characters written this well. Leo is an absolute legend. I think he maybe wins his second Best Actor statue, though Michael B. Jordan is ridiculous in Sinners. I was a little concerned that the tone wouldn’t be right from the first trailer. Not comedic enough. Leo’s character seemed a little unlikeable, not one of my stoner buddies. But ends up being your zany far-left terrorist flick with characters that share a lot of similarities with some of my closest friends, if ya get me. “Viva la revolución!”

Have other Academy Award winners in Sean Penn and Benicio del Toro. Benicio is throwing a 100 miles an hour in this flick. He has a Harriet Tubman situation going on. Penn is pretty amazing as a deeply unlikeable racist federal agent. Great at making him scary and also buffoonish. Both are nominated for Best Supporting. Again, a strong performance from Delroy Lindo in Sinners may box them out. Teyana Taylor is great, but her character is a real bummer. One of several hard to watch postpartum depictions this year. Best that her character is mostly out of the picture after the first act. She got the Supporting Actress nod, though Regina Hall and newcomer Chase Infiniti, from Indianapolis(!), are both amazing.

Out of PTA’s movies, where does One Battle After Another rank? For me, it’s second. There Will Be Blood still ranks as the best movie of the century, IMO, and is an untouchable masterpiece. Then I like The Master and Phantom Thread, but they aren’t nearly as rewatchable as this one. Magnolia and Boogie Nights both fell way down the list for me with my most recent rewatches. Punch-Drunk Love, on the other hand, I now see as one of his best. So, my official listing goes thus: 1. There Will Be Blood, 2. One Battle After Another, 3. The Master, 4. Phantom Thread, 5. Punch-Drunk Love, 6. Inherent Vice, 7. Licorice Pizza, 8. Boogie Nights, 9. Magnolia, 10. Hard Eight. That said, I truly love them all. 

A few final notes: Love the dark humor. Also that it is more hopeful than the novel. Good guys win. Looks at the youth as really having a lot of potential, which is refreshing with the way people generally shit on them. Lastly, there is a car chase scene where they are going up over these hills. Like riding waves. Fantastic effect. It is out of this world. 

Top 10 of 2025: 2. Sinners

★★★★★--One of three movies I watched this year where a single actor played twins. Most years this would have been my favorite film. There is a polarizing scene where past and present come together and time gets transcended. I thought this was genius. However, I could hear people laughing and mocking this in the theater on opening night. WTF? I’ve talked to people that felt both ways. Regardless, amazing music and story and an abrupt needle drop that flips the genre from a musical drama to horror. If it stuck with one genre, I still would have loved it.  Michael B. Jordan is incredible, as are Miles Caton, Hailee Steinfeld, Wunmi Mosaku, and Delroy Lindo. The guy that looks like Popeye Jones is pretty solid, too. Incredible flick.