Sunday, May 28, 2023

Sick - John Hyams - 2022

★★★★-You had me at home invasion slasher from Blumhouse written by Kevin Williamson of Scream, I Know What You Did Last Summer, and The Faculty fame. The whole COVID-19 backdrop is having a smart toilet in April 2020 shit. With that, I was able to make due with the rolls I embezzled from work until the supply chain stabilized. Fuck yeah. 

So how was it? Not too bad. Fun, tight slasher that made me sort of nostalgic for the start of the pandemic when I thought I was going to die and never left the house. Fun times those were. Also fun, a movie that gets some audience participation, which this film does by throwing us back into the early days of the lockdown. 

The flick follows two best buds, Parker (Gideon Adlon) and Miri (Bethlehem Million), riding it out at one of their parents' secluded lake house. To try and make quarantine “fun”, Parker’s on-again, off-again DJ (Dylan Sprayberry) shows up. He's trying to save whatever they have after a video surfaces of her making out with some other dude on spring break or whatever. Soon after they hit the hay, shit goes down. A masked killer (remember, social distancing!) slips in, steals their phones, and begins to terrorize them, first with loud music and then violence. Major plot hole here, by the by, why not just kill everyone in their sleep and not wake them up with bullshit? Sport/torture, I guess, plus we gotta get to it somehow. 

Adlon was the only young person I really recognized, though they all are pretty stellar. You may remember her from Blockers. I sort of get her confused with Mikey Madison who was Manson gal Sadie Atkins in Once Upon a Time In Hollywood, one of the kids in the fifth Scream movie, one of the daughters in Better Things, so forth. What is weird is that Better Things is a show where Pamela Adlon raises her girls, one who looks just like this woman. Then I find out the star of this movie is Pamela Adlon's real daughter. Some others that show up are one of the Langmores from Ozark, Marc Menchaca, who's lane is apparently creepy lake person, and the actress Jane Adams whom I recognize from The Anniversary Party and Happiness which I've been trying to forget since watching in 1999, fucking IFC. One Joel Courtney makes an appearance and is murdered at the beginning. I couldn't place him but looked him up. He was the main kid in Super 8, which was great. Only other things I've seen from director John Hyams was the exorcism episode from the second season of Chucky, a show I'm kind of obsessed with, and an alright movie from 2020 called Alone. Someone else in the movie that is sort of interesting is one Chris Reid. He is Brad Pitt's stunt double. Pretty good likeness. 

Besides the irritating plot hole, there were a couple other things that maybe should've been work shopped. Not trying to give anything away here, but the whole vengeance/motivation was a little weak. However, it isn't obvious. Also, I guess everyone's motivation for becoming a slasher in these types of movies is pretty bullshitty. So whatever. 

The other thing is that the killer thinks they're going to get away with it. When a victim points out that there is DNA everywhere, the solution is to burn down the house and the cops will blame it on selfish kids who couldn't social distance nor even keep a cabin from going up in flames. Well, that won't work since there are murders at multiple locations and people that aren't even part of the group. Whatever, best not to overthink. But these things were sort of dumb. 

However, all in all, this is a film that pays off. It snapshots a collective shitty time for everyone, and offers some surprises. Not a lot more I could ask for. Good shit.

Saturday, May 27, 2023

M3gan - Gerard Johnstone - 2023

★★★★★-AB says "check it out." Second from auteur Gerard Johnstone that I loved. The first, Housebound, is one of my favorite horror movies from the 2010s. It is crazy good and will keep you guessing. Check out my take on that here.

So M3gan. Total masterclass in bad ethics. Shitty parents probably watch the first 30 minutes of this movie and think “open up the fucking pod bay doors, mother fucker!” Then M3gan kills a dog and it is all down hill. 

The movie is basically your standard cautionary tale involving artificial intelligence. In a world that learned nothing from The Terminator nor The Matrix nor like 10 other movies I can think of off the top of my head (2001, Age of Ultron, the whole Alien franchise, Blade Runner, Dark Star, Deadly Friend, Ex Machina, RoboCop, Singularity, Wall-E, WarGames, Westworld [that's like 15 without looking up shit]), AI is the new big thing in tech. For years we've heard that AI is going to probably make all of us irrelevant and will definitely end the world. And here we are, expecting to see M3gans rolling off the assembly line any day now and murder us folk with annoying doggos. 

Anyway, the creator of this literal monstrosity, is robotics engineer Gemma, played by Allison Williams, who embarks on the risky endeavor of having the robot she just created raise the child that is thrust upon her by her very selfish sister who went and died. Real frumpy dump, this sister, dying and all. The orphan niece child, Cady, is played by a kid named Violet McGraw. She does a fine job of playing a terrible child. 

Something fun is that “resting bitch faced” M3gan is something of a gay icon. From the New York Times

“Gay men are protective of women like M3gan, the gorgeous and loyal but messy and insolent ones. (In the horror genre, where awful is wonderful, looking good and being depraved is a métier.) We consider our M3gans to be family, and we will fight you if you even look at them cross-eyed.

“To find M3gan’s gay roots, flip the calendar back to October, when Universal dropped the first trailer. A gay perfect storm helped it go viral: It was National Coming Out Day and Halloween month. Gay stan Megan Thee Stallion tweeted it. And — for me this was the clincher — the trailer featured a snippet of the sinister, awkwardly leggy dance M3gan does that’s set to a remix of Taylor Swift’s “It’s Nice to Have a Friend,” a song that isn’t even in the movie...

“The trailer’s gayness might not be readily apparent. My mom wouldn’t notice it. But to me it’s there, and nowhere more so than when M3gan enters a room and pointedly removes her sunglasses, as if she’s Miranda Priestly surveying her panicked minions. Here’s the thing: M3gan doesn’t need sunglasses. She’s a doll. She wears them for drama.”

"I will murder you for this indignity"
Before you make M3gan a part of your chosen family though, remember all the murder, which shouldn't be too hard since you don't often see uncanny valley push a shithead child in front of a pickup too often these days. I mean, as soon as you put that doll with the other toys, it will murder the shit out of someone just to cope. 

Here's something to freak you out, just because. AI is here already, by the by. It is unfathomably smarter than people think. It can do remarkable things like not only recognize faces, but also pick up subtle shit that gives away things about your mood and behavior. Like, for example, if you are cheating at cards in a casino, this shit is gonna know. It can pick up things like fucking eye movement and betting patterns and know what you're up to before you even do it. That's what's fucking up. 

Honestly, it would know how people around her talk, something that it fucks up on in the movie. AI don't make mistakes like that. With enough data, it'll write in your voice. It has access to pretty much everything on the internet, doesn't need to learn, just access information and it runs with it. AI is way more conceptually terrifying than is fucking believable. This movie is indeed terrifying, and AI probably isn't going to kill you as it's not evil, but the people behind it might be. Looking at you Google, Facebook, Amazon, so forth. 

Last thing, the flick has pretty good movie references sprinkled throughout. A lot of Sam Raimi style slapstick. There is a silliness to it that I knew was inspired by the The Evil Dead himself. Googled that shit and director Johnstone sites Raimi as an inspiration, of fucking course. A second robot named “Bruce,” which doesn't seem like a co-een-kee-dink, looks like the big bad ro-bit from RoboCop 2. Plus, M3gan Terminators around the work shed at the end of the movie. This movie is fucking awesome. 

Thursday, May 25, 2023

Missing - Nick Johnson and Will Merrick - 2023

★★★★-Interesting, pretty solid flick. I was kind of surprised at how inventive the movie was and how much I liked it. Definitely worth a watch for people that can stomach the new way of doing found footage. 

Gist is one June Allen, embarks on a mission to locate her mother who mysteriously vanished while vacationing in Colombia with her new feller.The journey takes her through all the usual and not so usual twists and turns as she unravels the truth behind the truth type of shit. 

Movie stars Storm Reid who I only know as Meg from A Wrinkle in Time, and Nia Long. Nia Long is one of those unmistakable actresses that I know and love, but when I look at her filmography it's a bunch of stuff I haven't seen. At least for the last 30 years or so. 

There are also several “that guys” in Joaquim de Almeida who hasn't aged a day since I first saw him in Desperado, Ken Leung who is always the creepy Asian guy, and Amy Landecker who I see in stuff all the time but have trouble placing her for whatever reason. She reminds me of a cross between Jane Lynch and Amanda Peet. Also, June's dad, played by one Tim Griffin, looks exactly like Steve-O. It's distracting how much he looks like one of my favorite vegans (go team!). 

The shocking twist at the halfway point was bananas. Completely changes the movie's direction. It gets completely nuts. So nuts at this midway point that you know some shit is really going to go off the rails in the third act, which it does. It ends up being a really sad, fucked up movie. 

Learned a new word after watching this flick--”screenlife”. This is what you call a film that unfolds entirely through computer screens, tablets, smartphones, so forth. Some notable examples include Host, which is dope, Unfriended, and Searching (which is also great) with Harold from Harold and Kumar.

Funny little Easter egg is when the lead watches the Netflix special about the shit that goes down, the person who plays her is Jasmin Savoy Brown. On the one hand, of course she would play this girl in a fictionalized version. On the other, she is way to big at this point to do a reenactment on a true crime anthology. 

Tuesday, May 16, 2023

Can't Get You Out of My Head: An Emotional History of the Modern World - Adam Curtis - 2021


★★★★★-Holy shit. A masterpiece six-part BBC documentary series from Adam Curtis about how our contemporary existence, which emphasizes individualism over collectivism, is completely shit, totally unfulfilling, and was designed as a way for the powerful elite to keep citizens in control. “All human beings live in a made-up dream world of stories, which give them the illusion that they are in control,” he says. “But really, there’s something else inside them that they will never contact.” Goes through all of the intricacies of how it got this way. I think this is supposed to be a kind of call to wake-the-fuck-up, but doesn't exactly offer a way out of the mess, not that it really needs to. The documentary is more impartial observation.

It really goes deep, discussing things like the fall of the British Empire, American imperialism, China's political crisis in the wake of the Great Leap Forward, and the resurgence of Russian nationalism. It goes through all this and more whilst telling individual stories that came out of those systems. 

All this has led the perpetual creation of conspiracy theories and grasping at dangerous national myths. This while also coming to a sobering realization in the failure of technology to emancipate society envisioned by techno-utopians. The result was a surge in populism in the West, culminating in Brexit and Trump, as people looked to radically alternative visions for the future, allowing for those in power to push beyond ethical boundaries that should have served as breaking points. Like I said, holy shit. 

Curtis first blipped on my radar in college when I stumbled upon his BBC documentary series Pandora's Box: A Fable From the Age of Science which aired in 1993. It deals with the consequences of political and technocratic rationalism. Also in six parts, each episode deals with a theme. They are: Communism in the Soviet Union, systems analysis and game theory during the Cold War, economy of the United Kingdom during the 1970s, the insecticide DDT, Kwame Nkrumah's leadership in Ghana in the 1950s, and the history of nuclear power. It blew my mind. 

At some point in the last year I heard an interview with Chuck Klosterman where he talked about Pandora's Box and Adam Curtis, focusing on this new documentary and how heavy it was. That shit is my brand, so I'd watch until my brain hurt, turn it off, and start up again the next day from where I left off. It took me forever to watch it. But holy shit, did I love it. As a guy who fancies himself a media theorist, I'm not sure if it is for everyone, but it is definitely my jam. 

One of the things I enjoyed most was the lesson of the oft-forgotten historical figure whose influence triggered ripples that continue into the present. Individuals like Michael X, Afeni Shakur and her son Tupac (who took on the persona of a character to create change only to live as a cartoon), Arthur Sackler, Jiang Qing (Mao Zedong's wife), Murray Gell-Mann, and others are explored to provide some context behind the turmoil that engulfs the world at present. 

It also details the struggles faced by those marginalized by society. Some examples. The story of a woman seeking a sex change in the 1970s that is forced to undergo demeaning psychological evaluation. The reality of the Ethiopian famine which led to Live Aid which is remembered as a kick ass concert but was really a scandal that throws us into the complexities of humanitarian intervention that resulted in the exploitation of the narrative for personal gain. 

Yeah, this mesmerizing series rocked me. The main point that I walked away with is that humans inhabit a simplified dream world that defies rationality. In an era of individualism, rather than attempting to alter this dream world, governments fight for its preservation. The allure of appealing to reason and effecting change on a grand scale is rendered obsolete as we are content with the dream, like in Brave New World. This controlling our collective rage (done on a global scale) is a means to consolidate power and eliminate political adversaries. The disheartening truth is that all endeavors to radically transform the world lead to profound pessimism with the responsibility lying on the individual, rather than society as a whole. As individuals turn inward, the management of this attractive yet pessimistically curated dream world becomes a hybrid amalgamation of psychology, economics, and finance. The dream world thrives as through its meticulous cultivation by the ruling class.

This is something I think about constantly as I recycle, eat a vegan diet, and just basically try and live simply. It's all just a drop in the bucket, my actions. It shouldn't be on us to change the world. Sure, we probably all do our part, some of us anyhow. But it should really be on the ruling classes to get the real problems figured out. But why do that when they can just distract us with bullshit while preserving the status quo. Yeah, if I were teaching a class, this would absolutely be on my syllabus. I've got like 12 pages of notes, but nothing I really say about it is going to do it justice. 

You can watch it for free on YouTube here. It will blow your mind. Plus, the soundtrack is incredible.

On Trump's CNN Townhall

In regards to CNN putting this trash on television. Way I see it, basing this on my worthless grad school work on Neil Postman and Marshall McLuhan and so forth, the electric teevee machine isn’t designed for real debate, just entertainment. So despite claiming they are a news source, their trying to entertain (unlike say PBS or whatever). It’s purpose is to get you there and keep you watching. He’s on their network to do the dog and pony show and bring in unlikely viewers, maybe (wishful thinking here) win some over by pandering to them. “See we aren’t liberal after all! Trump is here! We gave him a platform and let him say whatever he wants (pretty much).” So they keep pandering, inching farther right. Bring on someone like Jeffrey Lord and Tomi Lauren to say whatever Trump says is normal and that he was the greatest president ever. Hoping to get more viewers and more advertising and all that.

The aim is to seem middle of the road to get both sides watching. To do this, media companies in this lane give crazy a platform and constantly cover it. This always has the effect of normalizing it. “If the election wasn’t stolen, why would they let him repeatedly say this?” “If he was a rapist, why would they let him joke about it?” So forth. Plus, I think we’re still in this climate change and guns everywhere mess because both sides get treated as valid. Right-wing media is treated pretty fairly though they outright lie and deny the other side as being valid at all. So what we get is the echo chamber saying congress shutting down the government is great (or whatever), and then the mainstream saying, “well, they have a point.”

Trump’s gift, from a media theory perspective, is his ability to own people’s attention because he understands how mediums like television own our attention. So he stokes conflict, turning everything into can’t-look-away entertainment.

CNN knows this. They are not innocent. Yeah, viewers make the choice to watch, but they’re manipulated into doing so. Trump won in 2016 because of this shit. 

Monday, May 15, 2023

The Ringer - The Rewatchables - Complete List - Text!!!

Searched Google for way too long and never found a good list of the movies they watch/discus on The Ringer's "The Rewatchables." Figured I'd just type it up instead of search for another however long. Current as of May 2023. Give me some love.

10 Things I Hate About You

25th Hour

The 40-Year-Old Virgin

48 Hrs.

8mm

Above the Rim

Adventureland

Alien

Alive

All the President's Men

American Gigilo

The American President

Any Given Sunday

Argo

Armagedon

Austin Powers (1997)

Back to the Future

Band Boys (1995)

Bad Boys (1983)

Basic Instinct

Batman

Beverly Hills Cop

Beverly Hills Cop II

Big

The Big Lebowski

Bloodsport

Blow Out 

Blue Chips

Body Heat

The Bodyguard

Boogie Nights

Boomerang

The Bourne Identity

Boyz N the Hood

The Breakfast Club

Brides Maids

Broadcast News

Butch Cassidy & the Sundance Kid

Caddyshack

Can't Buy Me Love

Cape Fear

Casino

Cast Away

Catch Me if You Can

City Slickers

Cliffhanger

Clueless

Cobra

Cocktail

Collateral

Coming to America

Commando

Con Air

The Conjuring

Contagion

Cop Land

Country Strong

Creed

Crimson Tide

Cruising

Dangerous Minds

The Dark Knight

Dave

Dazed and Confused

Dead Poets Society

Deliverance

Den of Theives

The Departed

The Devil Wears Prada

Die Hard

Die Hard 2

Dirty Work

Do the Right Thing

The Doors

Draft Day

Dunkirk

E.T.

Easy A

Edge of Tomorrow

The Edge

Enemy of the State

Escape from New York

Escape to Victory

The Exorcist

Face/Off

The Fast and the Furious

Fast Five

Fatal Attraction

Father of the Bride

Ferris Bueller's Day Off

A Few Good Men

Field of Dreams

Fight Club

The Firm

First Blood 

Fletch

Focus

Forgetting Sarah Marshall

Forrest Gump

Friday

The Fugitive

Furious 7

The Game

Get Out

Ghost

Gladiator

Glengarry GlenRoss

The Godfather

The Godfather II

The Godfather III

Gone Girl

Good Will Hunting

Goodfellas

Grease

Groundhog Day

Halloween

The Hangover

Happy Gilmore

Hard to Kill

Hardball

He Got Game

Heat

Higher Learning

The Holiday

Home Alone

Hoosiers

I Am Legend

The Ice Storm

Inception

Indecent Proposal

Independence Day

Inglourioius Basterds

The Inside Man

Insidious

Ironman

Jaws

Jerry MaGuier

JFK

John Wick 2

Juice

Jurassic Park

The Karate Kid

Kicking & Screaming

King of New York 

Knocked Up

Kramer vs. Kramer

The Last Boy Scout

The Last of the Mohicans

A League of Their Own

Legally Blonde

Lethal Weapon

Lethal Weapon 2

Limitless

Love & Basketball

Mad Max: Fury Road

Major League

Man on Fire

Manhunter

Margin Call

The Martian

Mean Girls

Memento

Miami Vice

Michael Clayton

Midnight Run

Miracle

Misery

Mission Impossible: Fallout

Moneyball

Mr. Holland's Opus

Mr. Mom

Mrs. Doubtfire

My Best Friend's Wedding

The Natural

Neighbors

New Jack City

No Country for Old Men

The Notebook

Ocean's Eleven

Ocean's Twelve

Old School

Once Upon a Time... In Hollywood

Ordinary People

Out of Sight

Panic Room

Parenthood

The Perfect Storm

Pineapple Express

Pitch Perfect

Plains, Trains, and Automobiles

The Player

Point Break

Predator

Pretty Woman

The Princess Bride

The Program

Project X

Proof of Life

Pump Up the Volume

The Purge

Rachel Getting Married 

Raiders of the Lost Ark

Rain Man

Ransom

Reality Bites

Remember the Titans

The Rock

Rocky III

Rocky IV

Ronin

Rounders

The Royal Tenenbaums

The Sandlot

Saturday Night Fever

Saving Private Ryan

Say Anything

Scent of a Woman

School Ties

Scream

Se7en

The Shawshank Redemption

The Shining

Shooter

Sideways

The Silence of the Lambs

Singles

Skyfall

Sleeping with the Enemy

Sleepless in Seattle

The Social Network

Speed

Spiderman

Spotlight

St. Elmo's Fire

Stand by Me

A Star is Born

Step Brothers

Stripes

Sudden Death

Superbad

Swingers

Taken

The Talented Mr. Ripley

Tango and Cash

Taxi Driver

Teen Wolf

The Terminator

The Terminator 2: Judgement Day

There Will Be Blood 

Thief

Titanic

Tombstone

Tommy Boy

Top Gun

Top Gun: Maverick

Total Recall

The Town 

Toy Story

Training Day

Trainspotting

True Romance

Unfaithful

Unforgiven

Unstoppable

The Untouchables

The Usual Suspects

The Vanishing

Varsity Blues

The Verdict

Vision Quest

Wall Street

Warrior

The Warriors

Wedding Crashers

What About Bob?

When Harry Met Sally...

While You Were Sleeping

Whiplash

White Men Can't Jump

The Wolf of Wall Street

You've Got Mail

Zodiac

Thursday, May 11, 2023

My Cousin Vinny - Jonathan Lynn - 1992

★★★★-Outrageously fun movie I loved as a kid. Vividly remember watching this with my grandmother as a child and both of us losing our mind. Somewhat surprised at how enjoyable it still is, also the accuracy of the court stuff, other than Vinny (Joe Pesci's character) being a complete fool, of course. 

Director Jonathan Lynn has made some real bangers in this lane among Vinny, Clue, Nuns on the Run, and The Whole Nine Yards. Also some real guilty pleasure flicks like Sgt. Bilko with Steve Martin and Trial and Error with Michael Richards at the hight of his Seinfeld fame. Has only done two movies this century though in The Fighting Temptations, staring Beyonce and Cuba Gooding Jr., and Wild Target, neither of which I've seen or even heard of. 

Pretty great cast. Stars Pesci, Ralph Macchio, the always lovely Marisa Tomei, and featuring Fred Gwynne (mostly remembered as Herman Munster) in his final film appearance.

Gist of the flick is two young New Yorkers driving cross country (one played by Macchio who looks 19 but is actually in his 30s) are wrongfully accused of a murder while in Alabama, which doesn't fuck around on crime unless you're a Republican pedophile. With no money, they are grad students, they turn to Macchio's cousin, Vinny Gambini (Pesci), who has just recently become a lawyer and doesn't know shit. Accompanied by his fiancée, Mona Lisa Vito (Tomei), Vinny defends the two in court to my terror. Watching this as an adult with some understanding of the legal system (I used to report crime), there are like five mistrials and a serious case of ineffectual counsel, which luckily doesn't come into play. 

Also, the “yutes” have major issues with communication for college grads. The whole thing should have been cleared up in minutes, but these two “accidentally” confess to murder, which I hear happens all the time, especially in the southern United States. 

Love a courtroom dramady. Don't see too many of those anymore. Also, Tomei, who is great in this, won a fucking Oscar for Best Supporting Actress for her performance, which seems unreal. Must have been an off year. She's been on my radar ever since though. Very important to young AB's development, I'll tell ya... Yeah. 

Wednesday, May 3, 2023

The Forgotten Heyday of Black Baseball in Springs Valley: A History of the French Lick Plutos and the West Baden Sprudels

An article I wrote while I was a newspaperman. Holds up ight...

With spring in the air and baseball season already here, it is the perfect time to revisit the once-proud history of our national pastime in Orange County at the dawn of the 20th century. Long before Larry Bird put French Lick on the map, Springs Valley was already a Negro League mecca with two highly regarded African American baseball teams: the French Lick Plutos and the West Baden Sprudels. 

This destination spot, which was in its original heyday just over 100 years ago, may seem an unlikely host to such Negro baseball talent, given that it is located in Southern Indiana, which is not exactly known for its racial tolerance. But business was booming between rival hotels—the French Lick Hotel Resort and the West Baden Inn—who needed service industry workers and recruited blacks from Louisville to fill those positions offering decent pay for the “menial” labor.

Just before the hotels started pushing for African American workers, textile manufacturer and owner of the West Baden Inn, Lee Sinclair, added a bicycle/pony racing track in 1888 that featured an electrically lit baseball diamond in its center. The lighted diamond drew several major league teams to the area for spring training which was a relatively easy trip for Midwestern clubs with the expansion of the Monon Railroad, which connected Louisville with Indianapolis and Chicago, to include French Lick/West Baden as a resort stop off of the main route.

Around the same time that Sinclair's West Baden Inn burned down and was rebuilt into what is now the West Baden Springs Hotel in 1901, three-term Indianapolis mayor and restauranteur (and eventual US Senator) Thomas Taggart saw the economic potential of the area's mineral springs and purchased the French Lick Hotel Resort. Looking to compete with Sinclair, by 1909 Taggart built his own state-of-the-art baseball park to cash in on the travel baseball clubs looking for places to work out and rest up.

The diamonds proved good for business as hotel guests enjoyed watching the games and placing bets on the outcomes. Pretty soon baseball was being played on a daily basis with the hotel scrambling to fill racially mixed (which soon became all-black) teams and even drew players from the less stable (at the time) Indianapolis ABCs.

Many players came and went throughout much of a typical baseball season since it wasn't uncommon for players to jump ship with a team willing to pay them more. Unless a player was a standout joining from another team, it was typical for the young men to sign on as a porter or waiter before moving to baseball full-time in the summer. Players made a higher-than-average wage of $30 to $40 a week while in play (average for the population at large was about $15 to $20) but the players would have to find steady work in the offseason.

Thus began the rivalry of the French Lick Plutos (briefly called the Hotel Men), named for the Roman king of the underworld Pluto, and the West Baden Sprudels, a gnome that according to folklore served as the guard to the Wiesbaden spring in Germany, which formed the Springs Valley League with the two teams playing nearly every day of the spring and summer of 1909.

In 1909, the Plutos won the “pennant” easily, besting the Sprudels 126 of the 146 meetings, and were declared state champs by the Freeman newspaper, a black publication out of Indianapolis.

The following year, however, would prove much more competitive after team captain and secretary (who was more or less responsible for promoting games) John Chenault, who played catcher for the Plutos, was killed by a wild pitch. It was July of 1909 with the Plutos playing a team from Evansville, who led by four runs with French Lick mounting a comeback when William Brannon hit Chenault in the chest with a pitch that stopped his heart. “He walked ten steps and fell over dead,” read the Freeman.

The 1910 season also saw legendary manager C.I. Taylor relocate from Birmingam, Alabama to Springs Valley for what he saw as a promised land of “baseball opportunity.” He also brought many talents with him to the area including players like submarine pitcher William “Dizzy” Dismukes and his brothers Ben, Candy Jim, and “Steel Arm” Johnny Taylor among others who went on to have long and storied careers in the negro leagues. In April and May of 1910, under C.I.'s leadership, the much improved Sprudels went 12-5-2 against their rival.

The 1911 season saw the Sprudels play 75 contests, going 53-22 on the year with several additions. The Sprudels were even given the opportunity to play against major leaguers when the Pittsburgh Pirates, which featured the year's batting title winner Honus Wagner (whose American Tobacco Company trading card is regarded as the rarest and most valuable card in existence [like the Gutenberg Bible of baseball cards]), came to town under dubious circumstances. While the Pirates played without Wagner, the Sprudels too were several players down. Regardless, the hosting West Baden managed a 2-1 victory with Dismukes at the mound, allowing only four hits in the contest.

In 1912 the Sprudels won the Springs Valley pennant for the third straight despite losing 12-of- 18 to start the season. That year saw both teams travel more and while one group went on the road, another was called in to play the team that stayed behind. In all, both teams played somewhere around 150 games that year, making them, according to Paul Debono's book “The Indianapolis ABCs”, de facto professional teams.

Some of the notable competition the Sprudels took on that year included the Chicago American Giants (in Chicago) in late July. “Steel Arm” Johnny, who now played for the Chicago team, jumped sides again to play alongside his actual brothers and pitched his way to a rare 7-6 victory over the American Giants. In the second game of the doubleheader, however, owner and manager Rube Foster, a Baseball Hall of Famer who most notably organized the first Negro National League which ran from 1920-31, held the Sprudels to five hits while he was on the mound, giving his squad a 7-1 victory.

In October of that year, the Sprudels also took on the Cincinnati Reds but came up short against the major league squad. No score was given in the Freeman paper.

The 1913 season saw the Plutos a much-improved squad with Taggart increasing his spending on the team to try to bring in talent that could win his squad the pennant once again. The most notable acquisition was one Bingo DeMoss who came out from an Oklahoma team. The second baseman DeMoss has been considered one of the finest fielding second basemen of the 1910s and 1920s Negro Leagues and was also said to have exceptional bat control.

Jelly Gardner, who batted ahead of DeMoss on the American Giants a few years later, said of his teammate, “If he thought you'd be out trying to steal, he'd foul off the pitch if he couldn't hit it well. He could hit 'em anywhere he wanted to.”

DeMoss and company won 8-of-9 against the Sprudels to start the 1913 season before leaving in mid-June for an extended road trip that would take them as far as North Dakota. In the meantime, the West Baden team stayed behind and took on a full schedule which included games with teams from Alexandria, Elwood, Kokomo, and Indianapolis, as well as out-of-state teams the Boston Bloomer Girls (a semi-infamous team comprised of six women and three men), the Nebraska Indians, and once again the Chicago American Giants.

Late in the summer, the Sprudels beat the ABCs in a best-of-five series that resulted in another Indiana championship though it may have been called a little early since the Plutos were still out of town—steamrolling their competition as it turns out, winning 60-of-67 games on their trip— wanting a shot at the crown. With both teams at the top of their respective games, the stage was set for an unheard-of 21-game series to decide the undisputed champion.

“It would seem foolish for a man to go to see the World's Series when he could get a chance to see the Sprudels and the Plutos in a battle royal for championship honors,” the Freeman said at the time. “The antagonism and enviousness that exist between these two teams make a game between them worth going miles to see.”

The series, however, proved anticlimactic as the Plutos ran away with it early. Overall, the Plutos went 108-33 in the 1913 season, beating the ABCs seven times in seven games and the American Giants once in seven tries.

The Sprudels, for their part, again managed games against major league teams after the season had come to an end. On October 6 of that year, the Reds came to town and bested West Baden in a game that was called at 7-4 due to darkness in the eighth inning. Sprudel Hall of Fame first baseman Ben Taylor led his team in the loss with a double and a crowd-pleasing home run off of pitcher Chief Johnson. The following day, pitcher Gene “Milo” Packard pitched a 9-0 shutout in favor of the Reds.

The 1913 season proved the end of the Negro League heyday in Springs Valley with C.I. Taylor and most of his players as well as several of the better Pluto players, including DeMoss, joining forces with the ABCs.

Though both teams filled rosters into the early 1930s, neither team pulled the talent they once had as the ABCs routinely drew the best players from the Sprudels and Plutos, effectively displacing both clubs.

The teams continued to play up until the early years of the Great Depression when the resort industry fell off dramatically at which point most African American workers at the resort lost their jobs. For several years after that, the teams merged into the Pluto Red Devils before folding completely.